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Junior Varsity
Value Wireless Mic system for Community Theater (AT3000 or EW100, etc)
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<blockquote data-quote="Eric Cagle" data-source="post: 42943" data-attributes="member: 277"><p>Re: Value Wireless Mic system for Community Theater (AT3000 or EW100, etc)</p><p></p><p></p><p></p><p>Hi Phil,</p><p>I am using the ACT 707 series and I pretty much have at least one example of everything. I just checked and it has been replaced with a new 7 series which is a wideband version of what I have. Mipro is not very well known yet and I just tried it the first time based on the recommendation of Mike Volkerding who uses and sells Mipro and the "S" brands as well. I was blown away. The handhelds that I use get 15- 20 hours of show time on 2 AA batteries and the gain before feedback is so high it has almost made me lazy about ringing out monitors. I routinely have talent walking in front of the mains or dropping their mic hand down in front of the monitors with no issues whatsoever. The sound is better than a wired SM58 by a large margin for most vocalists as a comparison. I used to hate almost all wireless mics because of the lousy sound with all of the audible compansion and the occasional dropout but not so with the Mipros. The small amount of compression is pleasing to the ear and somewhat negates my use of insert compression on vocals for all but the worst singers. I have a pile of the mid line plastic case ones that I use on all vocals in festival settings now for the reasons mentioned and also for the convenience of just grabbing a mic and stand and putting it anywhere in a hurry without dealing with a cord. The metal case transmitters and upper model recievers are pro. The plastic case bodypacks are not. Hope this helps.</p><p></p><p>-Eric</p></blockquote><p></p>
[QUOTE="Eric Cagle, post: 42943, member: 277"] Re: Value Wireless Mic system for Community Theater (AT3000 or EW100, etc) Hi Phil, I am using the ACT 707 series and I pretty much have at least one example of everything. I just checked and it has been replaced with a new 7 series which is a wideband version of what I have. Mipro is not very well known yet and I just tried it the first time based on the recommendation of Mike Volkerding who uses and sells Mipro and the "S" brands as well. I was blown away. The handhelds that I use get 15- 20 hours of show time on 2 AA batteries and the gain before feedback is so high it has almost made me lazy about ringing out monitors. I routinely have talent walking in front of the mains or dropping their mic hand down in front of the monitors with no issues whatsoever. The sound is better than a wired SM58 by a large margin for most vocalists as a comparison. I used to hate almost all wireless mics because of the lousy sound with all of the audible compansion and the occasional dropout but not so with the Mipros. The small amount of compression is pleasing to the ear and somewhat negates my use of insert compression on vocals for all but the worst singers. I have a pile of the mid line plastic case ones that I use on all vocals in festival settings now for the reasons mentioned and also for the convenience of just grabbing a mic and stand and putting it anywhere in a hurry without dealing with a cord. The metal case transmitters and upper model recievers are pro. The plastic case bodypacks are not. Hope this helps. -Eric [/QUOTE]
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Value Wireless Mic system for Community Theater (AT3000 or EW100, etc)
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