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Re: Venice FI'm a weekend warrior and purchased the Midas F32 for the following reasons:*Ease of use*Good sound quality for the clients I serve*Multitrack recording*Rental appeal - Return On InvestmentFor shows that I need more than 4 aux sends I use a LS9-32 and/or run an audio split between the two, typically the F32 is FOH and LS9 for monitors. I haven't bothered using the software plugins since I have 16 channels of analog comps/gates. I've been able to cross rent the F32 to larger sound companies that need to fill a quick void and to small to mid size churches. IMO there will always be an analog market in some fashion and hopefully the F32 will provide at least 5 to 10 years of useful life. Also, once I estimated the costs in trying to multitrack from the LS9-32 ($500 - $2000 depending on gear selection), the price point of the F32 seemed reasonable given its many attributes.
Re: Venice F
I'm a weekend warrior and purchased the Midas F32 for the following reasons:
*Ease of use
*Good sound quality for the clients I serve
*Multitrack recording
*Rental appeal - Return On Investment
For shows that I need more than 4 aux sends I use a LS9-32 and/or run an audio split between the two, typically the F32 is FOH and LS9 for monitors. I haven't bothered using the software plugins since I have 16 channels of analog comps/gates. I've been able to cross rent the F32 to larger sound companies that need to fill a quick void and to small to mid size churches. IMO there will always be an analog market in some fashion and hopefully the F32 will provide at least 5 to 10 years of useful life. Also, once I estimated the costs in trying to multitrack from the LS9-32 ($500 - $2000 depending on gear selection), the price point of the F32 seemed reasonable given its many attributes.
