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Vocal Levels - Ruth Moody
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<blockquote data-quote="Jeff Babcock" data-source="post: 92337" data-attributes="member: 46"><p>Re: Vocal Levels - Ruth Moody</p><p></p><p></p><p></p><p>Everybody has a different opinion on this. I personally think that you are undervaluing yourself with that attitude. And the whole "It's only Art" line of thought is exactly the mentality behind the major budget cuts to various music and related arts programs in schools and elsewhere, which saddens me. Sure, art is not absolutely sacred, but it is a very important and increasingly undervalued part of our culture..</p><p></p><p>Sure, low budget combat audio might be a different story (I try hard to avoid such situations), so maybe it depends on where your frame of reference is. This is the VARSITY forum though......</p><p></p><p>Personally I am always trying to think about the mix in a creative way. I guess I'm one of those weirdos who actually cares about the character of one compressor over another, who is constantly adjusting effects, who is riding faders to help accentuate dynamics and enhance transitions, etc. If I think about my mix as a performance(in the context of properly supporting the musicians intentions), then I enjoy it more, it usually comes across better, and I go home knowing that I made an artistic contribution. YMMV.</p></blockquote><p></p>
[QUOTE="Jeff Babcock, post: 92337, member: 46"] Re: Vocal Levels - Ruth Moody Everybody has a different opinion on this. I personally think that you are undervaluing yourself with that attitude. And the whole "It's only Art" line of thought is exactly the mentality behind the major budget cuts to various music and related arts programs in schools and elsewhere, which saddens me. Sure, art is not absolutely sacred, but it is a very important and increasingly undervalued part of our culture.. Sure, low budget combat audio might be a different story (I try hard to avoid such situations), so maybe it depends on where your frame of reference is. This is the VARSITY forum though...... Personally I am always trying to think about the mix in a creative way. I guess I'm one of those weirdos who actually cares about the character of one compressor over another, who is constantly adjusting effects, who is riding faders to help accentuate dynamics and enhance transitions, etc. If I think about my mix as a performance(in the context of properly supporting the musicians intentions), then I enjoy it more, it usually comes across better, and I go home knowing that I made an artistic contribution. YMMV. [/QUOTE]
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