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<blockquote data-quote="Jason Raboin" data-source="post: 40788" data-attributes="member: 524">Re: Wedges. Your opinion.I haven&#039;t listened to the MW15 but I have used the EAW MW12 a lot and have not been impressed.&nbsp; I was recently told that what I am hearing that I don&#039;t like is the horn being mounted under the dust cap.&nbsp; My technical knowledge ends there, but they just aren&#039;t as easy to get the result I am looking for as other wedges.The D&amp;B Max 15 deserves a looking at.&nbsp; They aren&#039;t too expensive or power hungry.&nbsp; One sound company near me runs them passive from and gets no complaints from some pretty heavy hitting national acts.I&#039;ve got the Fulcrum Acoustics FA12&#039;s on tour with me and will fire them up for the first time tomorrow at Symphony Hall in Chicago.&nbsp; I&#039;ve only listened to them in my living room, but my first impression is that they will give my current favorite, the discontinued L&#039;acoustics FM115, a run for its money.In 12&quot; land the Martin LE1200 sound amazing.</blockquote>

[QUOTE="Jason Raboin, post: 40788, member: 524"] Re: Wedges. Your opinion. I haven't listened to the MW15 but I have used the EAW MW12 a lot and have not been impressed. I was recently told that what I am hearing that I don't like is the horn being mounted under the dust cap. My technical knowledge ends there, but they just aren't as easy to get the result I am looking for as other wedges. The D&B Max 15 deserves a looking at. They aren't too expensive or power hungry. One sound company near me runs them passive from and gets no complaints from some pretty heavy hitting national acts. I've got the Fulcrum Acoustics FA12's on tour with me and will fire them up for the first time tomorrow at Symphony Hall in Chicago. I've only listened to them in my living room, but my first impression is that they will give my current favorite, the discontinued L'acoustics FM115, a run for its money. In 12" land the Martin LE1200 sound amazing. [/QUOTE]

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