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<blockquote data-quote="John Halliburton" data-source="post: 56411" data-attributes="member: 8">Re: What exactly does Processing do?Although it should be...Some more observations on digital loudspeaker processing:The time delay adjustments available inside a speaker cabinet between drivers/sections, between cabinets in a system, and between the system and actual performers output(s) have been to me, the biggest gains.&nbsp; Synchronizing these has IMO, cleaned up pro audio quite a bit.The precision with which you can set the processing also improves the consitency of the system more than the knobs on analog crossovers, comps, eqs, etc. all patched together in the chain.&nbsp; Less of an issue with top end gear, but that&#039;s always the case.The threshold to aquire and use this technology really allows everyone from bands packing their own, weekend warriors, etc. to have a much better set of tools available to them for maximizing sound quality.&nbsp; As always, it depends on the other pieces too-the operator, the gear chosen, and the room/venue, but still...Best regards,John</blockquote>

[QUOTE="John Halliburton, post: 56411, member: 8"] Re: What exactly does Processing do? Although it should be... Some more observations on digital loudspeaker processing: The time delay adjustments available inside a speaker cabinet between drivers/sections, between cabinets in a system, and between the system and actual performers output(s) have been to me, the biggest gains. Synchronizing these has IMO, cleaned up pro audio quite a bit. The precision with which you can set the processing also improves the consitency of the system more than the knobs on analog crossovers, comps, eqs, etc. all patched together in the chain. Less of an issue with top end gear, but that's always the case. The threshold to aquire and use this technology really allows everyone from bands packing their own, weekend warriors, etc. to have a much better set of tools available to them for maximizing sound quality. As always, it depends on the other pieces too-the operator, the gear chosen, and the room/venue, but still... Best regards, John [/QUOTE]

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