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Junior Varsity
What is the audible effect of 180 polarity change between HF and mids?
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<blockquote data-quote="Bennett Prescott" data-source="post: 41406" data-attributes="member: 4"><p>I will also always pick a polarity inversion over additional phase distortion, if inverting a passband saves me a few ms I'm gonna do it. I've never studied the audibility of polarity, but it's nothing compared to another phase wrap. Of course two devices or bandpasses out of polarity are plainly audible...</p><p></p><p>Langston is incorrect about his interpretation of the phase slope. Delay accumulates in the LF, and must because the same phase shift is a much longer wavelength (time) down there.</p></blockquote><p></p>
[QUOTE="Bennett Prescott, post: 41406, member: 4"] I will also always pick a polarity inversion over additional phase distortion, if inverting a passband saves me a few ms I'm gonna do it. I've never studied the audibility of polarity, but it's nothing compared to another phase wrap. Of course two devices or bandpasses out of polarity are plainly audible... Langston is incorrect about his interpretation of the phase slope. Delay accumulates in the LF, and must because the same phase shift is a much longer wavelength (time) down there. [/QUOTE]
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What is the audible effect of 180 polarity change between HF and mids?
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