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Junior Varsity
What is the audible effect of 180 polarity change between HF and mids?
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<blockquote data-quote="Jay Barracato" data-source="post: 41448" data-attributes="member: 24"><p>Re: What is the audible effect of 180 polarity change between HF and mids?</p><p></p><p></p><p></p><p>I think this is the crux of the problem with the K10 and trying to reverse engineer what is happening in the crossover from a summed response.</p><p></p><p></p><p>Looking at the phase well above the crossover and saying the HF is out of polarity because it is 180 degrees from the mids really doesn't say anything about what is happening in the crossover region.</p><p></p><p>Flipping the polarity of the HF creates such a big suckout in the crossover region, that I believe that flipping the polarity of the HF to match the mids by looking at the higher frequencies is actually causing it to be out of polarity in the crossover region causing the cancellation.</p></blockquote><p></p>
[QUOTE="Jay Barracato, post: 41448, member: 24"] Re: What is the audible effect of 180 polarity change between HF and mids? I think this is the crux of the problem with the K10 and trying to reverse engineer what is happening in the crossover from a summed response. Looking at the phase well above the crossover and saying the HF is out of polarity because it is 180 degrees from the mids really doesn't say anything about what is happening in the crossover region. Flipping the polarity of the HF creates such a big suckout in the crossover region, that I believe that flipping the polarity of the HF to match the mids by looking at the higher frequencies is actually causing it to be out of polarity in the crossover region causing the cancellation. [/QUOTE]
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What is the audible effect of 180 polarity change between HF and mids?
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