Reply to thread

Message

<blockquote data-quote="Peter Morris" data-source="post: 130952" data-attributes="member: 652">Re: What&#039;s common practice for theatre foldback?Just to add a little more – in very simple terms without going into the mathematics, if you think in terms of feedback beginning to occur when the microphone begins to hear the fold back speaker at the same level as singers’voice.&nbsp; At this point no amount of EQing will help.When you have an omnidirectional lapel mic in the hair line that will happen at about the same volume the singer can hear their own voice.&nbsp; In other words the foldback won’t do much to help the singer.Occasionally rock and roll singers do some theatre work andexpect fold back; they struggle without it. In these situations IEMs are the go.</blockquote>

[QUOTE="Peter Morris, post: 130952, member: 652"] Re: What's common practice for theatre foldback? [FONT=Calibri][SIZE=3][COLOR=#000000]Just to add a little more – in very simple terms without going into the mathematics, if you think in terms of feedback beginning to occur when the microphone begins to hear the fold back speaker at the same level as singers’voice. At this point no amount of EQing will help. [/COLOR][/SIZE][/FONT] [FONT=Calibri][SIZE=3][COLOR=#000000]When you have an omnidirectional lapel mic in the hair line that will happen at about the same volume the singer can hear their own voice. In other words the foldback won’t do much to help the singer.[/COLOR][/SIZE][/FONT] [SIZE=3][COLOR=#000000][FONT=Calibri]Occasionally rock and roll singers do some theatre work andexpect fold back; they struggle without it. In these situations IEMs are the go.[/FONT][/COLOR][/SIZE] [/QUOTE]

Verification