Re: When setup is important?
The system has a Driverack PA (not my choice) which limits what I can do with any parallel processing such as dual PA, and since it is an installed system, I would not move to any configuration where someone other than me has to do anything other than push the main fader up.
The LF crossover is roll my own, and the HF crossover is based on the EV recommendations. The system eq is roll my own. The limiters are set fairly conservatively, but I have never even gotten close to engaging the limiters in the drive rack.
As I said, I would not be making any changes without some modeling, but my real inclination would be to go to one per side at the stage, with good downtilt to cover the dance floor in front of the stage,and then move the second pair out about 50 feet as a second line of delays. There are still the existing delays all the way in the back in the pool room.
Although we continue to miss the point of my post. I have no doubt that if I sit down with the proper tools that I can figure out how to best use the equipment that they have, in this particular room. The question remains "should I".
