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Pro Audio
Junior Varsity
Working with other peoples scenes
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<blockquote data-quote="frank kayser" data-source="post: 218724" data-attributes="member: 28"><p>I'm with Hedge with a caveat - I roll my own *if* I have time to do it, and if I have knowledge and permission to do so. We have five techs roll through, and each has their own "style". Sometimes it takes me more time to psychoanalyze what has been done (strange routing, using cut PEQ method rather than an additive PEQ use, etc.) than to start over. This is in a venue where I have "seniority".</p><p>Another venue where I get called in occasionally, I do not have save-to-mixer privileges, that has odd routing to match the odd layout of amps and speakers in the room - I have not been there often enough to sort out all the nuances of the setup. I need to leave minimal-to-no footprint after I leave. Rolling my own there is really out of the question. I need to make lemonade with what lemons are left to me.</p></blockquote><p></p>
[QUOTE="frank kayser, post: 218724, member: 28"] I'm with Hedge with a caveat - I roll my own *if* I have time to do it, and if I have knowledge and permission to do so. We have five techs roll through, and each has their own "style". Sometimes it takes me more time to psychoanalyze what has been done (strange routing, using cut PEQ method rather than an additive PEQ use, etc.) than to start over. This is in a venue where I have "seniority". Another venue where I get called in occasionally, I do not have save-to-mixer privileges, that has odd routing to match the odd layout of amps and speakers in the room - I have not been there often enough to sort out all the nuances of the setup. I need to leave minimal-to-no footprint after I leave. Rolling my own there is really out of the question. I need to make lemonade with what lemons are left to me. [/QUOTE]
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