[ATTACH=JSON]207279.vB5-nodeid=207279[/ATTACH] CAMARILLO, California – August 2017 – Following the completion of his From Here To Now To You tour in 2013-2014, Jack Johnson has only played a handful of shows over the past three years. However, with his new album, All The Light Above It Too, slated to drop in early September, the former professional surfer-turned-singer/songwriter, actor and activist recently returned to the road with his band—and Rat Sound’s L-Acoustics K1/K2 system—to preview his upcoming material.
Like many of Rat’s satisfied clients, Johnson has enjoyed a long history with the Camarillo-based sound company, which has reinforced all of his tours since 2000. Although the 2013-2014 trek carried a Kara-based loudspeaker system that was ideal for the more intimate theaters and performing arts venues on that run, this latest tour stopped at much larger spaces—including California’s 17,500-seat Hollywood Bowl and Washington’s 22,000-seat Gorge Amphitheater on its collective four-week journey—all of which were completely sold out, making K1/K2 the obvious choice.
“This system has been the perfect size for the tour,” says Rat Sound System Tech and Crew Chief Bjarne Hemmingsen, who was tasked with designing the loudspeaker model in L-Acoustics’ Soundvision software each morning. “The show sits at around 94dbA with some very soft delicate parts, and K1/K2 is great at providing even coverage throughout each venue while still keeping a full sound at the very back.”
The tour’s standard loudspeaker array configuration consisted of a dozen K1 plus four Kara downs flown per side, flanked by far left and right hangs of up to 12 K2. Four more Kara spread out across the stage lip handled frontfill, while six ARCS II enclosures—horizontally arrayed in threes on each side of the stage—delivered outfill. Eight SB28 subs per side, groundstacked in two stacks of four, delivered the robust low end, and all systems were powered and processed by LA8 amplified controllers.
“I appreciate that I can easily configure this system in so many different ways to perfectly suit each venue,” Hemmingsen adds. “For venues that don’t require side arrays but are still quite wide, we used four K1 paired with eight to 12 K2 for the mains—or sometimes just the K2s alone for even smaller venues. Being able to control the horizontal HF with K2 solves a lot of reflection issues, especially for the side arrays. Its ability to cover 70 degrees and keep the HF off the walls really helps a lot. And the results that I get in Soundvision are always spot on.”
“This system has a great, full, natural sound with a very controlled low end and requires almost no EQ. Jack covers a lot of musical genres with his set—from folk and reggae to pop and rock—and each variation of the L-Acoustics system worked well with them all.”
Two brief US tour legs comprised Johnson’s latest outing—an east coast trek for the first two weeks of June, followed a month later by a west coast run for the last two weeks of July. The system that Rat Sound carried remained unchanged between the two trips and was skillfully steered by Michael Pollock, Johnson’s FOH Engineer for the past 17 years. Key additional audio crewmembers included Monitor Engineer Casey McDaniel, as well as Rat Sound PA Tech Mike Gazdziak and Monitor Tech Kyle Rogan.
For more details on Jack Johnson’s tour and upcoming album, All The Light Above It Too, visit [url]www.jackjohnsonmusic.com[/url]. Rat Sound can be found online at [url]www.ratsound.com[/url].
[HR][/HR]About L-Acoustics
Founded in 1984 near Paris, France, L-Acoustics is a leading manufacturer of turnkey solutions for the professional sound industry. Part of the L-Group, which counts 400 team members, L-Acoustics is present in over 80 countries either through subsidiaries or via a network of certified distributors or providers. Twenty percent of L-Acoustics’ team-members are dedicated to research and development.
Recognized throughout the industry for pioneering the modern line array, L-Acoustics offers a total system approach for both the touring and fixed installation markets, and a product line responding to the needs of venues from the most intimate club to the grandest arena. L-Acoustics sound systems can be heard in places like the Hollywood Bowl, the NFL Cardinals University of Phoenix Center, or the Philharmonie de Paris. L-Acoustics solutions have been used at five of the world’s ten top-grossing festivals*, the London, Sochi and Rio Olympics, and on the Adele 2016/2017 World Tour, among others.
