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I'm, planning for the Summer of ’24 upgrades and I am looking at 2 different options for a monitor desk set-up; this set-up would be used for 98% of the times on monitors. I currently have a 40ch rack mount split with mass connects Option 1: Single rolling rack that houses a SQ5/M32R/LS9-16*...

before/during COVID Music Tribe pull all distribution from the regional marketing reps and worked a deal with Sweetwater to become the Sole Supplier for the USA. You're local store can still be a "dealer" for Midas/Behringer, but don't expect to get any good deals on them as they have to go...

Yes, we know Tom does great things and puts out some impressive products. Each has their own pro's & con's and when buying any speakers, you need to know your market. If you going after Touring Bands, Danley is on the very bottom of the acceptability lists. But I know many regional operators...

They are different flavors... each speaker/line array has its own purpose/design. It all depends on what you are trying to accomplish.

The SRX712M/STX812M had like a price tag of like $1000each, so I'd stay around the $1000-1500 each.

Well a 2x18 comes in various levels of performance. 8000w doesn't tell us much about the amp. Like is that that 8000w bridged @ 4ohm or is that a 4ch amp capable of doing 2000w per channel @ 8 ohms. Curious... what is already in there? whats your budget, new or used?

I'm in the USA.

I've been out of the market for a bunch of years and back then the SRX712m was the go to wedge for the "B-Level" acts. When I jumped back in, I picked up some powered wedges... While do I like powered wedges, I hate running twice the cables and trying to figure out power drops & extension cords...

I feel like I've seen a few episodes from Mike Holmes about sound proofing between town homes.

I am selling off some old/odd gear that I've accumulated since restarting the Biz during COVID. Everything is located in Lusby, MD 20657. Willing to ship where it's reasonable. I accept Cash and/or PayPal.

They've been out for a while, but don't seem to be pushed as much like the EV and JBL brands. The RS1#1 is like a PRX and the RS1# is like the SRX800 level with different flavors of sound.

I do plan on taking training before taking to plunge (Mic @ $100+, USB interface @ $200+, SMAART LE @ $500).

Should I do it or talk me out of it? After this weekend, seeing the FOH/System tech do his thing with SMAART and time aligned correct the PA (flown d&b) and heard it cleaned up the sound. And we got talking about my system (he’s heard it before) and because I’m mixing brands, we’re thinking...

There used to be pre-sets for the "SRX728" in the Itech, it was under the VRX group.

I should update myself on what I did... In early January, I placed an order for the newly announced NXL44Amk2 that RCF just announced. It was said the RCF was going to push these into production and get them over to the States within 3-4 months. Well April comes and no speakers yet, I...

we're not talking about these... More along the lines of the db Tech IG series, RCF TT_4A & TTL6A style.

RF antenna distro/combiners aren't brand specific. I used to use a Shure distro with my Senny wireless. I then later upgraded to the Senny distro to make use of the power jumping (cleaned up the rack a lot!).

x32 is 'first' true iPad capable digital console, it was also 'cheap' and effective, hence the reason why it's popular. The mechanics haven't changed since it was first released in 2012. The Allen Heath QU-Rac is another option.

I don't think there was much that came out. Seemed like a couple companies came out with a 'late to the game" competitive products. RCF released a couple new MI lines; the __9## series comes in different flavors now. NX = Live Music, ART = DJ. The NX985 & Sub8008 are competition to the JBL...

Along with using a DI, I would throw an Audix D6 on the bass cab...