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A&H SQ-x vs Midas M32
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<blockquote data-quote="Eric Snodgrass" data-source="post: 209388" data-attributes="member: 2679"><p>Having used both consoles, I can say that I think the SQ for me is a superior console. I do like the sound of it, and, unlike Kevin, I think the layout of the console and the touch screen is vastly superior to the M32. Different strokes...</p><p>I do agree with Kevin concerning the Scene management. On the SQ there is no way to edit the order of Scenes or even edit the Scenes in an offline editor. That does make it difficult to do any musical theater with the console if one relies on scenes to control mutes and DCA assignments. It is a feature that folks on the A&H forums have been wanting for years. They are still waiting.</p><p>For corporate work the SQ is terrific. The Automatic Mic Mixing (AMM) feature on the SQ is a life-saver for me - I had a gig recently that had 23 headset mics on stage for a stage reading of a script. I didn't have the script, there was no rehearsal and we didn't even get a sound check with the cast. It was really throw and go with the mics. I did have time during the day to set gains, measure the room and P.A. and ring out the headsets. The AMM worked flawlessly for this gig. I don't think the M32 has any sort of automatic mic mixing algorithm, but if it does, someone please correct me.</p><p>I would personally recommend the SQ over the M32.</p></blockquote><p></p>
[QUOTE="Eric Snodgrass, post: 209388, member: 2679"] Having used both consoles, I can say that I think the SQ for me is a superior console. I do like the sound of it, and, unlike Kevin, I think the layout of the console and the touch screen is vastly superior to the M32. Different strokes... I do agree with Kevin concerning the Scene management. On the SQ there is no way to edit the order of Scenes or even edit the Scenes in an offline editor. That does make it difficult to do any musical theater with the console if one relies on scenes to control mutes and DCA assignments. It is a feature that folks on the A&H forums have been wanting for years. They are still waiting. For corporate work the SQ is terrific. The Automatic Mic Mixing (AMM) feature on the SQ is a life-saver for me - I had a gig recently that had 23 headset mics on stage for a stage reading of a script. I didn't have the script, there was no rehearsal and we didn't even get a sound check with the cast. It was really throw and go with the mics. I did have time during the day to set gains, measure the room and P.A. and ring out the headsets. The AMM worked flawlessly for this gig. I don't think the M32 has any sort of automatic mic mixing algorithm, but if it does, someone please correct me. I would personally recommend the SQ over the M32. [/QUOTE]
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