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<blockquote data-quote="Daniel McAllister" data-source="post: 137902" data-attributes="member: 2431">Re: Behringer X32 Firmware v3.0 Feature RequestsThat would come in handy, although you can imagine that you&#039;d create some pretty interesting headaches if you had an input channel, bus and bus send all on one DCA!In the situation given, I&#039;d colour code the input channels by voice, and have sopranos, altos, etc on separate DCAs for ease of mixing FOH. For the monitors, I&#039;d probably send all the sopranos to Bus 1, Altos to Bus 2, etc, and then a post-fade send from each bus to Matrix 1 and use that as the monitor output. Then you can mix the monitors from the Bus 1-8 fader layer. It&#039;s unlikely you&#039;ll need to adjust the monitor mix much during the show, so having to swap from the DCA layer to the first bus layer to make an adjustment wouldn&#039;t be a problem, and then you still have the rest of the DCAs free for the bits that matter for the FOH mix. Lots of different ways to approach it.</blockquote>

[QUOTE="Daniel McAllister, post: 137902, member: 2431"] Re: Behringer X32 Firmware v3.0 Feature Requests That would come in handy, although you can imagine that you'd create some pretty interesting headaches if you had an input channel, bus and bus send all on one DCA! In the situation given, I'd colour code the input channels by voice, and have sopranos, altos, etc on separate DCAs for ease of mixing FOH. For the monitors, I'd probably send all the sopranos to Bus 1, Altos to Bus 2, etc, and then a post-fade send from each bus to Matrix 1 and use that as the monitor output. Then you can mix the monitors from the Bus 1-8 fader layer. It's unlikely you'll need to adjust the monitor mix much during the show, so having to swap from the DCA layer to the first bus layer to make an adjustment wouldn't be a problem, and then you still have the rest of the DCAs free for the bits that matter for the FOH mix. Lots of different ways to approach it. [/QUOTE]

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