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Junior Varsity
Behringer X32 Firmware v3.0 Feature Requests
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<blockquote data-quote="Ian Rogerson" data-source="post: 140359" data-attributes="member: 9577"><p>Re: Behringer X32 Firmware v3.0 Feature Requests</p><p></p><p></p><p></p><p>Drew and Jay - yes! That would do nicely!! Computationally this is such a trivial thing to do - it's just a case of making it work well in the user interface and your suggestion is great!</p><p></p><p>Ron: Yes - you're right - why disable particular pre-fade sends. In fact now I think about it the post-fades should be included too, so just control all bus sends in the same way.</p><p></p><p>Tane: HA gains shouldn't be used for controlling volume - that's what the faders are for! It's a nightmare for a musician when you have someone on the desk who keeps tweaking the gains after sound-check as they throw out all the foldback levels. </p><p></p><p>HOWEVER just think of the joy of being able to tweak a gain control and watch the fader move until it's at unity gain, with no discernible change in volume for the audience or the musicians. It would be really easy to get all the channels at unity gain - a nice stright row - and then use that as your base position to mix from <img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":-)" title="Smile :-)" data-smilie="1"data-shortname=":-)" /></p></blockquote><p></p>
[QUOTE="Ian Rogerson, post: 140359, member: 9577"] Re: Behringer X32 Firmware v3.0 Feature Requests Drew and Jay - yes! That would do nicely!! Computationally this is such a trivial thing to do - it's just a case of making it work well in the user interface and your suggestion is great! Ron: Yes - you're right - why disable particular pre-fade sends. In fact now I think about it the post-fades should be included too, so just control all bus sends in the same way. Tane: HA gains shouldn't be used for controlling volume - that's what the faders are for! It's a nightmare for a musician when you have someone on the desk who keeps tweaking the gains after sound-check as they throw out all the foldback levels. HOWEVER just think of the joy of being able to tweak a gain control and watch the fader move until it's at unity gain, with no discernible change in volume for the audience or the musicians. It would be really easy to get all the channels at unity gain - a nice stright row - and then use that as your base position to mix from :-) [/QUOTE]
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