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Junior Varsity
Compression
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<blockquote data-quote="Tim Perry" data-source="post: 89834" data-attributes="member: 94"><p>Re: Compression</p><p></p><p></p><p></p><p>Here is a for example: The lead vocal, the one everyone is here to see and hear doesn't project when he/she speaks but really belts it out when when singing. The transition from talking to sining may be nearly instantaneous. Instead of sweating out riding the gain for maybe hours, setting the comp just right can make life for you AND the audience much easier.</p><p></p><p>The same is true for any vox or instrument that transitions from can't hear to overly loud. </p><p></p><p>As to whether the compressor is place in the channel insert or a bus, that is a matter of choice based on the needs of the show an personal preference. </p><p>When mixing monitors from FOH a comp in the vocal bus only insures that no compression is added to the monitor mix.</p></blockquote><p></p>
[QUOTE="Tim Perry, post: 89834, member: 94"] Re: Compression Here is a for example: The lead vocal, the one everyone is here to see and hear doesn't project when he/she speaks but really belts it out when when singing. The transition from talking to sining may be nearly instantaneous. Instead of sweating out riding the gain for maybe hours, setting the comp just right can make life for you AND the audience much easier. The same is true for any vox or instrument that transitions from can't hear to overly loud. As to whether the compressor is place in the channel insert or a bus, that is a matter of choice based on the needs of the show an personal preference. When mixing monitors from FOH a comp in the vocal bus only insures that no compression is added to the monitor mix. [/QUOTE]
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