Normal
Re: CompressionI'm in that situation fairly frequently when mixing for contemporary worship services, and usually try to give myself plenty of room to ride up the input fader for the softly spoken parts.You don't find you're squashing the dynamics for singing too much when you use compression+makeup gain to bring out the spoken parts? What sort of general parameters for compression do you typically use in that scenario?
Re: Compression
I'm in that situation fairly frequently when mixing for contemporary worship services, and usually try to give myself plenty of room to ride up the input fader for the softly spoken parts.
You don't find you're squashing the dynamics for singing too much when you use compression+makeup gain to bring out the spoken parts? What sort of general parameters for compression do you typically use in that scenario?
