Re: Danley Jericho 2 in Saint Marteen
No Franz, I was disappointed that you gave more ink to the sub than to the Jericho.
And now it has turned into a sub thread instead of what I came here for.
Regards, Jack
So a little bit more information on the Jericho line. This is intended as informational-not marketing.
The inspiration is based on the fact to nobody will argue that a single box will always sound better than multiple boxes (due to the interference) line array-point source etc.
The problem is that in many cases, in larger rooms, a single box will simply not get loud enough or have a wide enough coverage pattern to do the job. So we have had to use multiple boxes to get loud and wide enough.
Of course the problem with trying to use a single box is the high freq. It is relatively easy to get the lows to mids to combine for more output, but the real issue starts as you get higher in freq. Getting the higher freq to "play well together" is not an easy thing to do-since the wavelengths are so small and the physical size of the drivers to reproduce those freq is large (as compared to the wavelengths involved.
It is how to combine the high freq that has eluded designers over the years. Various methods have been tried. The old way of combining drivers in a Y configuration has produced a louder output, but has not yielded good summation. It was louder because of the increased power capacity of the additional drivers, but the response was not as flat as a single driver (due to the incoherent combining). So the effective output was not as much as one would like.
In the Jericho production, most of the time has been spent on how to combine the mid to high freq well. Tom’s lens ideas are what make this all possible. Without giving out the “secret sauce”, the whole concept is based on wavelength. Each Jericho uses a very different lens-based on the limitations and physical sizes available in the different products.
The original Jericho (JH90) was designed as a standalone full range product that sounds great and gets loud. The evidence is the use of this box in a good number of stadiums this last year. In one case a SINGLE JH90 is covering a 34,000 people stadium. No subs are used. The subs that were replaced were 4 6x15” horn loaded subs. The single JH90 has more low freq.
In several other cases a pair of JH90s are used to cover stadiums a good bit larger.
The J2 was developed because many sound companies already have a pile of subs and they wanted a “mid/high” box and didn’t want to buy subs when they already had some. So while the J2 has a -3dB point around 60Hz, the intended usage is 100Hz or so and up.
The J2 driver density is quite large-with 6 woofers-24 midrange and 12 high freq drivers. You can drive the cabinet with a single amp channel (we typically use a LabGruppen 14K bridged to drive it) or quad amped (3 way). So 2 channels for lows and a single each for mids and highs.
The 90widex60tall pattern covers a large number of gigs. The OP is evidence of that. The large horn (the whole mouth of the cabinet) provides pattern control without pattern flip down to around 100 Hz.
The J3 is a higher output cabinet that is smaller/lighter and a narrower pattern-60x40. While it is a 4 way cabinet, it can be driven like the J2 (single channel or 4 amp channels 3 way-mid-high/high is passive).
Generally a pair will be needed for most shows. This would give up to 120 wide coverage. If narrower coverage is needed, the cabinets can be “toed in” with very minimal interference (just a shallow wide dip in the response-rather than deep notches)-due to the fact that each source is well behaved.
Of course all of this would not be possible without the advent of high output high freq drivers that are physically smaller than previous models. The BMS drivers are a big part of the success.
None of the drivers in any of the Jericho models are custom to Danley. By using off the shelf drivers, it makes repairs easier if needed.
I hope this helps shed some light on the cabinets