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Junior Varsity
Danley SH96HO
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<blockquote data-quote="Peter Morris" data-source="post: 141995" data-attributes="member: 652"><p>Re: Danley SH96HO</p><p></p><p></p><p></p><p></p><p>Hi Mike,</p><p></p><p>Sounds like you're over it :roll: ... but FWIW the low-mid crossover is critical. If it’s too high the 15s will have an output with wave lengths that are too short relative to their entry location. This will cause problems such as reflections inside the horn instead of a synergy effect where all the drivers add together and behave as one point source. </p><p></p><p>I must admit that I didn’t think it was a difficult question. I suspect a simple answer about the acoustic crossover points was all you were after – (for example only) something like - the 15s operate from about 50Hz to 350Hz, the 4s 350Hz - 1000Hz, the HF 1000Hz to 6K3 and VHF above 6K3 - would have been good enough. </p><p></p><p>Hope your gig goes well.</p></blockquote><p></p>
[QUOTE="Peter Morris, post: 141995, member: 652"] Re: Danley SH96HO Hi Mike, Sounds like you're over it :roll: ... but FWIW the low-mid crossover is critical. If it’s too high the 15s will have an output with wave lengths that are too short relative to their entry location. This will cause problems such as reflections inside the horn instead of a synergy effect where all the drivers add together and behave as one point source. I must admit that I didn’t think it was a difficult question. I suspect a simple answer about the acoustic crossover points was all you were after – (for example only) something like - the 15s operate from about 50Hz to 350Hz, the 4s 350Hz - 1000Hz, the HF 1000Hz to 6K3 and VHF above 6K3 - would have been good enough. Hope your gig goes well. [/QUOTE]
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