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Varsity
Glastonbury 2013
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<blockquote data-quote="Guy Graham" data-source="post: 96598" data-attributes="member: 1944"><p>Re: Glastonbury 2013</p><p></p><p></p><p></p><p>Isn't the big advantage of MLA (and now Anya too) that they better negate issues such as room reflections and positioning problems indoors in non-ideal spaces, or minimise spillage from lots of close-together stages such as at Coachella?</p><p></p><p>I'd think the big four stages at Glastonbury are the ideal platforms to achieve long enough lines of conventional line array boxes, to best achieve the directionality required by noise restrictions. And they have the advantage of enough space to utilise the most effective bass-steering techniques.</p></blockquote><p></p>
[QUOTE="Guy Graham, post: 96598, member: 1944"] Re: Glastonbury 2013 Isn't the big advantage of MLA (and now Anya too) that they better negate issues such as room reflections and positioning problems indoors in non-ideal spaces, or minimise spillage from lots of close-together stages such as at Coachella? I'd think the big four stages at Glastonbury are the ideal platforms to achieve long enough lines of conventional line array boxes, to best achieve the directionality required by noise restrictions. And they have the advantage of enough space to utilise the most effective bass-steering techniques. [/QUOTE]
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