MILLION DOLLAR QUARTET TOURS WITH ALLEN & HEATH

“We don’t use in-ears because the producers are very serious about being 1950’s period correct,” said Wilson. “But, we’re going from 800-seat to 4000-seat rooms so the stage set changes dramatically from day to day.” To speed the setup, he adjusts monitors while walking the stage using the dLive’s Virtual Sound Check and the dLive Director software on his laptop.

... Just like they did it in 1956!