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<blockquote data-quote="Glenn Adams" data-source="post: 206527" data-attributes="member: 6611">I have to agree with the advice above. Tough room for sure. First I would investigate what was used in the past and how did it do.One large high output from a central location on the lift would work, but factor in wind and the distance you have to cover would put you into very long throw stuff like Community or Danley stadium horn loaded systems.Lots of small cabinets from that location would be harder to achieve the coverage plus throw needed and again, wind can cause massive effects to the pattern.I hate this approach but in this case it does work for some events. Speakers on sticks all around the fence pointing at the crowd. Forget trying to delay it unless you have 10 delay outputs, one for each zone. If so workout the distance from the stage to each zone and try to cut down on the overlap of coverage between zones. The brain can work out a direct source even if it is in a multiphase mess. Good luck</blockquote>

[QUOTE="Glenn Adams, post: 206527, member: 6611"] I have to agree with the advice above. Tough room for sure. First I would investigate what was used in the past and how did it do. One large high output from a central location on the lift would work, but factor in wind and the distance you have to cover would put you into very long throw stuff like Community or Danley stadium horn loaded systems. Lots of small cabinets from that location would be harder to achieve the coverage plus throw needed and again, wind can cause massive effects to the pattern. I hate this approach but in this case it does work for some events. Speakers on sticks all around the fence pointing at the crowd. Forget trying to delay it unless you have 10 delay outputs, one for each zone. If so workout the distance from the stage to each zone and try to cut down on the overlap of coverage between zones. The brain can work out a direct source even if it is in a multiphase mess. Good luck [/QUOTE]

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