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Junior Varsity
Need help on Vocal Mic Selection Female Soul Singer Lead Vocalist
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<blockquote data-quote="Per Søvik" data-source="post: 96970" data-attributes="member: 1285"><p>Re: Need help on Vocal Mic Selection Female Soul Singer Lead Vocalist</p><p></p><p>There seems to be some agreement that going out and buying stuff is silly, and from a business point of view I'd agree to some extent. However, I love getting new stuff, and will jump at anything that justifies me going out and buying a piece of kit that I want. I know I'm not the only one. </p><p>I keep expanding my inventory all the time, a microphone here, a couple of lights there, some of the stuff is "too good" for my present rig, but that doesn't bother me, it only means that the good stuff is going to be around when I've got rid of some of the lesser stuff.</p><p>I think the KMS105 is a good mike to have in the inventory and would buy it for that reason, knowing that it would improve the quality of sound I could produce from female singers, even if my rig definitely isn't what I would wish for.</p><p>A top of the line wired mic is $500-$1000, making them the cheapest items in the signal chain, and therefore the one item where one can indulge oneself without breaking the bank.</p><p>As someone who definitely wants to swap my small venue sub $10000 PRX rig for a small venue d&b $50000+ job, I try to make as many of my new acquisitions as possible consistent with that aim. Since I do my most important work in a hall with an in house line array, obviously my PRX mains is not my defining criterion even today.</p><p></p><p>Whoever you are, whatever the level, having some money-channel stuff that quality wise goes beyond the rest of the set-up makes sense, doesn't it?</p></blockquote><p></p>
[QUOTE="Per Søvik, post: 96970, member: 1285"] Re: Need help on Vocal Mic Selection Female Soul Singer Lead Vocalist There seems to be some agreement that going out and buying stuff is silly, and from a business point of view I'd agree to some extent. However, I love getting new stuff, and will jump at anything that justifies me going out and buying a piece of kit that I want. I know I'm not the only one. I keep expanding my inventory all the time, a microphone here, a couple of lights there, some of the stuff is "too good" for my present rig, but that doesn't bother me, it only means that the good stuff is going to be around when I've got rid of some of the lesser stuff. I think the KMS105 is a good mike to have in the inventory and would buy it for that reason, knowing that it would improve the quality of sound I could produce from female singers, even if my rig definitely isn't what I would wish for. A top of the line wired mic is $500-$1000, making them the cheapest items in the signal chain, and therefore the one item where one can indulge oneself without breaking the bank. As someone who definitely wants to swap my small venue sub $10000 PRX rig for a small venue d&b $50000+ job, I try to make as many of my new acquisitions as possible consistent with that aim. Since I do my most important work in a hall with an in house line array, obviously my PRX mains is not my defining criterion even today. Whoever you are, whatever the level, having some money-channel stuff that quality wise goes beyond the rest of the set-up makes sense, doesn't it? [/QUOTE]
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Need help on Vocal Mic Selection Female Soul Singer Lead Vocalist
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