They've just moved their HQ and the rumour is that they are building a digital stagebox for their AI-series. They are also probably busy implementing some left-out functionality on their mixers.Whats up with presonus? dont hear much about them anymore...
"We do not share our designs and code to outside entities. Furthermore, we're not required to provide source code under GPL because the software we run on the mixers, as well as the accessory software are custom applications running on our own proprietary framework. Because of this, our software designs are not subject to GPL license requirements."
Whats up with presonus? dont hear much about them anymore...
Whats up with presonus? dont hear much about them anymore...
Whats up with presonus? dont hear much about them anymore...
SL AI line is in the stores, FW800 and interchangeable cards are the major thing, plus more effects. Still no motorized faders. May be adding digital snake in the future (a-la Soundcraft Si), mean stagebox that comes with the card for mixer.
Whats up with presonus? dont hear much about them anymore...
Did your boss not like the new speakers or is it a matter of just not needing another speaker line?
There will not be motorized faders for the StudioLive AI series. There will never be DAW control of the StudioLive AI.
They are one of the most prolific digital mixers out there today; however, the shine is wearing off the penny now that there are several better offerings in the market. They took a beating on the last round of digital mixer releases IMHO.
Wondering why? There are not that expensive and would be nicer to recall a scene than "locate" function as now. M7CL is a also a single-layer desk, but it has motorized faders.
DAW control isn't a big deal, there's plenty of dedicated DAW controllers out there. Digital CAT5 snake will be more important.
The StudioLive isn't really a full digital mixer as others: no free routing, DCA's, etc. Quasi-digital, as somebody called it. For me 24.4.2 was a dream analog mixer: same layout but with full dynamics section on each channel, and everything is built-in, something we wanted in old analog boards! Beauty of SL is in their simplicity and ease of use, they have their own market segment. If they will drop price a bit SL will sell like hot cakes. For now they are no match to X32.
No, I don't wonder why there are no moving faders, because I have been told why. They ARE that expensive. Had Behringer not developed their own faders, the Behringer and Starin reps told us they wold not have been able to get the X32 at that price point. You can have moving faders and you can have GOOD moving faders.
How "good" are the moving faders on the Yamaha 01V, released sixteen years ago, regarded as, then? I got mine used in 2004, and when a fader died a couple of years later, IIRC it cost me about $100. The console is still going strong, otherwise, although I haven't used it much since I got an X32. Honestly, the ones on my X32 don't feel THAT much better. I certainly expected them to be quieter. A friend has a Roland M200i and I'd say the same about that (those are quieter, but slower).
PS. I used to work for AMS/Neve, who make the high-end digital consoles used for film mixing etc. and they (the AMS Logic models, anyway) had custom linear-motor faders which cost 500 pounds (probably $1000 dollars) each. Now THEY were nice. Silent and finger-breakingly-fast. But how nice do they really need to be?
If people would take a look at all of these budget consoles and then look at a real console's parts, they would realize how great the engineering and creativity has to take place to make something that moves so much, work and hold up over time.
A rep friend of mine had customers make the mistake of leaving a couple of wireless Sennheiser handheld transmitters next to their faders on their X32. Someone changed the layers without moving the mics and the faders were not the same. If they had been on a high end console, the transmitters probably would have been ok, moving the transmitters out of the way. That is not a slam on Behringer. The Roland's probably would have been jacked too. People have to understand what they are getting for the little they are spending and use common sense.
Arik,
No, I don't wonder why there are no moving faders, because I have been told why. They ARE that expensive. Had Behringer not developed their own faders, the Behringer and Starin reps told us they wold not have been able to get the X32 at that price point. You can have moving faders and you can have GOOD moving faders.
You do not understand this, but in manufacturing, $259 in motorized faders will look like $2590 additional add to the final cost of the product. You must consider everything associated with the fader to make it function as well. Then they are going to have to stock more expensive parts, etc, etc.
We sell PreSonus, along with Roland, Allen&Heath, Soundcraft, Behringer, Midas, Avid, Peavey, etc, etc. The StudioLive has it's place, and services people well. Justin told me at a worship conference once that 70% of the StudioLives went into churches. The churches buying them are not missing some of the things people here ask for.