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Junior Varsity
Presonus Studio-Live 24
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<blockquote data-quote="Sean Zurbrick" data-source="post: 16220" data-attributes="member: 208"><p>Re: Presonus Studio-Live 24 </p><p></p><p>Again though, with that logic, how does Midas stay in business. You can get analog boards with the same features for 1/2 the cost or less. Not all shoppers are looking for the ''most stuff in a box'' and that's where the break down is. IMO, the meter bridge on the SL is worth $500 - I realize that seems ludicrous to a lot of people, but I run sound from stage and the ability to see all channels has become the #1 feature I want. It makes a material difference in the quality of our shows and even at $500 would be my share of 1 wedding gig.</p><p></p><p></p><p></p><p>The ease of the recording feature is also worth at least a few hundred bucks versus a much more cumbersome method of the Yamaha. Using live performances as demos saves hundreds, if not thousands versus a studio demo, not to mention the time invested to have to do one. I can record first time songs easily and distribute to other band members to work on any parts needed, etc and I don't have to get out patch cables, interfaces, etc, just hook up 1 firewire cable to a laptop I'm already using for break music.</p><p></p><p></p><p></p><p>These are major features that are very important to me. The Yamaha has many things the SL lacks, but that doesn't mean the SL is a ''starter board''. It's simply different.</p><p></p><p></p><p></p><p>I'll get off my high horse as I'm beginning to beat it to death.</p></blockquote><p></p>
[QUOTE="Sean Zurbrick, post: 16220, member: 208"] Re: Presonus Studio-Live 24 Again though, with that logic, how does Midas stay in business. You can get analog boards with the same features for 1/2 the cost or less. Not all shoppers are looking for the ''most stuff in a box'' and that's where the break down is. IMO, the meter bridge on the SL is worth $500 - I realize that seems ludicrous to a lot of people, but I run sound from stage and the ability to see all channels has become the #1 feature I want. It makes a material difference in the quality of our shows and even at $500 would be my share of 1 wedding gig. The ease of the recording feature is also worth at least a few hundred bucks versus a much more cumbersome method of the Yamaha. Using live performances as demos saves hundreds, if not thousands versus a studio demo, not to mention the time invested to have to do one. I can record first time songs easily and distribute to other band members to work on any parts needed, etc and I don't have to get out patch cables, interfaces, etc, just hook up 1 firewire cable to a laptop I'm already using for break music. These are major features that are very important to me. The Yamaha has many things the SL lacks, but that doesn't mean the SL is a ''starter board''. It's simply different. I'll get off my high horse as I'm beginning to beat it to death. [/QUOTE]
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