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<blockquote data-quote="Philip Roberts" data-source="post: 50691" data-attributes="member: 111">Re: So we get new Yamaha desks? CL seriesI&#039;ve also played with one at NAB.- It&#039;s not 100% clear to me (or the Yamaha CA US) guys how the gain sharing/compensation will work. Best I can tell it remaps the gain know to a digital trim in the console, (seperate for the one in the EQ)- Custom Fader layers are a global setting. When I asked the Yamaha guys indicated there had been talk of doing this per scene.- Link groups are more flexible (each group can have it&#039;s own scope) but a channel can still be in only 1 link group.- The didn&#039;t have any mic&#039;s hooked up to the RIO boxes so no sense on how the console sounds (of course I&#039;ve been happy with my M7 but then agian it&#039;s in a room with a 2.5 sec RT60 w/o audience)As Justice said more thoughts later. (weekend?)Philip</blockquote>

[QUOTE="Philip Roberts, post: 50691, member: 111"] Re: So we get new Yamaha desks? CL series I've also played with one at NAB. - It's not 100% clear to me (or the Yamaha CA US) guys how the gain sharing/compensation will work. Best I can tell it remaps the gain know to a digital trim in the console, (seperate for the one in the EQ) - Custom Fader layers are a global setting. When I asked the Yamaha guys indicated there had been talk of doing this per scene. - Link groups are more flexible (each group can have it's own scope) but a channel can still be in only 1 link group. - The didn't have any mic's hooked up to the RIO boxes so no sense on how the console sounds (of course I've been happy with my M7 but then agian it's in a room with a 2.5 sec RT60 w/o audience) As Justice said more thoughts later. (weekend?) Philip [/QUOTE]

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