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<blockquote data-quote="Rob Timmerman" data-source="post: 137478" data-attributes="member: 172"><p>Re: Sound & Stage Power</p><p></p><p></p><p></p><p>This is one of the reasons I suggested seeing what's usd by other local companies</p><p></p><p>California cable (the most common type for 50A split phase) is very widely available from places that rent temporary power (generators), as that's the midsize cable they normally use (sitting between camlok and edison). Camlock is also pretty widely available, but is likely overkill for what you want.</p><p></p><p>Socapex can be sourced from lighting suppliers, but isn't as common on the audio side of things. </p><p></p><p>Within the entertainment industry, there tend to be regional standards.</p><p>In one area I've worked, L21-30 was the regional standard for power distribuiton, and every local shop had plenty of it; in another part of the country, L21-20 was the standard and easily available. L21-30 was practically unused in that part of the country.</p></blockquote><p></p>
[QUOTE="Rob Timmerman, post: 137478, member: 172"] Re: Sound & Stage Power This is one of the reasons I suggested seeing what's usd by other local companies California cable (the most common type for 50A split phase) is very widely available from places that rent temporary power (generators), as that's the midsize cable they normally use (sitting between camlok and edison). Camlock is also pretty widely available, but is likely overkill for what you want. Socapex can be sourced from lighting suppliers, but isn't as common on the audio side of things. Within the entertainment industry, there tend to be regional standards. In one area I've worked, L21-30 was the regional standard for power distribuiton, and every local shop had plenty of it; in another part of the country, L21-20 was the standard and easily available. L21-30 was practically unused in that part of the country. [/QUOTE]
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