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<blockquote data-quote="Christian Tepfer" data-source="post: 18584" data-attributes="member: 108">Re: When it&#039;s too loud.....Depends on the situation.&nbsp;As written here before, it depends on the stage and some other circumstances.&nbsp;When there is some time to reach the lower level (means: no police officer with handcuffs or a person directly paying me with steam out of the ears): mixing backwards, identifying what may be giving the mix its edge (percieved as &#039;&#039;too loud&#039;&#039;), turning this channel down or turning the EQ band down. Sometimes it&#039;s some range in the master EQ that can go down a bit.&nbsp;Otherwise: - pulling the master fader down significantly and mixing forward after that, bringing up mix elements that are lacking after this.or- pulling down groups or faders of instruments that are loud on stage already, reverting to a more &#039;&#039;stage dependent&#039;&#039; mix.Either way, in most cases the mix has to be &#039;&#039;found&#039;&#039; again after or within the change.</blockquote>

[QUOTE="Christian Tepfer, post: 18584, member: 108"] Re: When it's too loud..... Depends on the situation. As written here before, it depends on the stage and some other circumstances. When there is some time to reach the lower level (means: no police officer with handcuffs or a person directly paying me with steam out of the ears): mixing backwards, identifying what may be giving the mix its edge (percieved as ''too loud''), turning this channel down or turning the EQ band down. Sometimes it's some range in the master EQ that can go down a bit. Otherwise: - pulling the master fader down significantly and mixing forward after that, bringing up mix elements that are lacking after this. or - pulling down groups or faders of instruments that are loud on stage already, reverting to a more ''stage dependent'' mix. Either way, in most cases the mix has to be ''found'' again after or within the change. [/QUOTE]

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