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<blockquote data-quote="Per SÃ¸vik" data-source="post: 121010" data-attributes="member: 1285">Re: S16 and phantom popsIt should not really make a difference if you are using the preamp page to set up phantom as long as the setting that is arrived at is the same for all scenes. If one starts out with setting the phantom and gains in scene 1 or 000 whatever the case might be, and don&#039;t touch these settings later, there shouldn&#039;t be an issue. Building each scene individually, with phantom settings that only apply to that scene, and one is asking for trouble.I prefer to be &quot;disconnected&quot; from the stage boxes, setting up with a &quot;generic gain&quot; at the boxes and using the trim at the console (I&#039;m using S16+Rack on the stage). By doing it this way, I don&#039;t have gain changes between scenes, and don&#039;t get any zipper noise either when switching scenes with different gain settings (not that zipper noise is likely to be a problem between scenes, but anyway)The important thing here is that all scenes should have the same phantom settings for the preamps. How that is achieved is of less importance, but starting out with a scene with all settings correct will make it so much easier. Obviously, if one gets to scene 75 and decides to add another phantom mic at that point, correcting all previous scenes will be a pain in the butt, but there you go.</blockquote>

[QUOTE="Per SÃ¸vik, post: 121010, member: 1285"] Re: S16 and phantom pops It should not really make a difference if you are using the preamp page to set up phantom as long as the setting that is arrived at is the same for all scenes. If one starts out with setting the phantom and gains in scene 1 or 000 whatever the case might be, and don't touch these settings later, there shouldn't be an issue. Building each scene individually, with phantom settings that only apply to that scene, and one is asking for trouble. I prefer to be "disconnected" from the stage boxes, setting up with a "generic gain" at the boxes and using the trim at the console (I'm using S16+Rack on the stage). By doing it this way, I don't have gain changes between scenes, and don't get any zipper noise either when switching scenes with different gain settings (not that zipper noise is likely to be a problem between scenes, but anyway) The important thing here is that all scenes should have the same phantom settings for the preamps. How that is achieved is of less importance, but starting out with a scene with all settings correct will make it so much easier. Obviously, if one gets to scene 75 and decides to add another phantom mic at that point, correcting all previous scenes will be a pain in the butt, but there you go. [/QUOTE]

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