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<blockquote data-quote="Per SÃ¸vik" data-source="post: 121118" data-attributes="member: 1285">Re: S16 and phantom popsAt the risk of being tedious ( I realize that I passed that point a long time ago.)1. It doesn&#039;t matter whether the phantom is set from the channel button or the preamp page, it works the same.I&#039;m not implying that one should not use the preamp page, it is the easiest way of avoiding confusion. However, it has been argued that using the preamp page somehow solves a technical issue with switching between different S16s, but nobody has offered any actual evidence of this.2. The important issue for avoiding phantom pops is to have the same preamp phantom setting in every scene. In order to avoid confusion, and to check that there is consistency between every scene, is to use the preamp view, but there is no technical requirement to do this, the important issue is that phantom settings for all preamps remain unchanged from scene to scene.We might have different opinions on how best to program a show, and to each his own. I have not given a method for doing this, but what I might suggest is to start off with a basic scene that at least contains the correct phantom settings for every input, local or S16, and use this scene as basis for every scene to be programmed.Again, the important issue is that every scene has the same preamp phantom settings.</blockquote>

[QUOTE="Per SÃ¸vik, post: 121118, member: 1285"] Re: S16 and phantom pops At the risk of being tedious ( I realize that I passed that point a long time ago.) 1. It doesn't matter whether the phantom is set from the channel button or the preamp page, it works the same. I'm not implying that one should not use the preamp page, it is the easiest way of avoiding confusion. However, it has been argued that using the preamp page somehow solves a technical issue with switching between different S16s, but nobody has offered any actual evidence of this. 2. The important issue for avoiding phantom pops is to have the same preamp phantom setting in every scene. In order to avoid confusion, and to check that there is consistency between every scene, is to use the preamp view, but there is no technical requirement to do this, the important issue is that phantom settings for all preamps remain unchanged from scene to scene. We might have different opinions on how best to program a show, and to each his own. I have not given a method for doing this, but what I might suggest is to start off with a basic scene that [U]at least[/U] contains the correct phantom settings for every input, local or S16, and use this scene as basis for every scene to be programmed. Again, the important issue is that every scene has the same preamp phantom settings. [/QUOTE]

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