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Junior Varsity
X32 Discussion
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<blockquote data-quote="Christian Boche" data-source="post: 51636" data-attributes="member: 1698"><p>re: X32 Discussion</p><p></p><p></p><p>You can do that, every channel can be feed individual from various sources. You have 32 processed channels, any of these channel can recieve inputs dependend from what you set up in the "routing" set up. F.e. Local setups (XLR in 1-32), AES 50 inputs from the S-16 Stageboxes and Card inputs from your recording computer. You can switch these different signal souces in rows of eight. F.e. AES 50 input 1-8, Local inputs 9-16, card inputs 17-24 and so on. From this "pre decision" you can select inputs sources for you single channel individually. Jesus...basically it is quite simple, but I'm not a native speaker, so I'm struggling with the right words. Sorry for that. </p><p></p><p> Here is, what I did/do. Nomally, I just splitt vocal channels, when I'm doing monitor from foh. I rarely use dynamics in my monitorsound, that why I splitt my vocals to the additional eight Aux-channels on Layer 3. These channels have EQ but no dynamics (and no PreAmp, so the share gain with the "original channel"). This way you don't need to sacrifice any inputs channels on your first two layers (1-16, 17-32). If you don't need 32 channels for your show, you can use just unused "normal" channels as splitt channels for your monitorsound. I hope, you get the picture...</p><p>Christian</p></blockquote><p></p>
[QUOTE="Christian Boche, post: 51636, member: 1698"] re: X32 Discussion You can do that, every channel can be feed individual from various sources. You have 32 processed channels, any of these channel can recieve inputs dependend from what you set up in the "routing" set up. F.e. Local setups (XLR in 1-32), AES 50 inputs from the S-16 Stageboxes and Card inputs from your recording computer. You can switch these different signal souces in rows of eight. F.e. AES 50 input 1-8, Local inputs 9-16, card inputs 17-24 and so on. From this "pre decision" you can select inputs sources for you single channel individually. Jesus...basically it is quite simple, but I'm not a native speaker, so I'm struggling with the right words. Sorry for that. Here is, what I did/do. Nomally, I just splitt vocal channels, when I'm doing monitor from foh. I rarely use dynamics in my monitorsound, that why I splitt my vocals to the additional eight Aux-channels on Layer 3. These channels have EQ but no dynamics (and no PreAmp, so the share gain with the "original channel"). This way you don't need to sacrifice any inputs channels on your first two layers (1-16, 17-32). If you don't need 32 channels for your show, you can use just unused "normal" channels as splitt channels for your monitorsound. I hope, you get the picture... Christian [/QUOTE]
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