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Junior Varsity
X32 Discussion
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<blockquote data-quote="Art Welter" data-source="post: 51710" data-attributes="member: 52"><p>re: X32 Discussion</p><p></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">Uli,</span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">Thanks for the response to my question.</span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">A latency between .8 and 1.5 msec., excellent by digital standards, still makes for a hollow sound for vocalists using in ear monitors. The hollow sound, caused by the comb filter between the natural “head sound” and the digital latency is only heard by the individual singer, not by their band members, engineers or the audience.</span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">As they say at the carnival "close but no cigar".</span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">Even though Bono is now a billionaire (nice investment strategy), he probably will continue using the analog Midas Venice for his in ear mix even though U2 can afford the XL8 wherever they want it.</span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">At the May 11 2006 Midas XL8 unveiling in Albuquerque I asked my old buddy Matt Larson when Midas will put out a digital version of the Venice, at that time it was not in the cards.</span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">Glad to see you have realized with the X32 what I hoped could happen when you rescued Midas from Telex (and that tool company), my congratulations!</span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'verdana'"><span style="font-size: 10px">Art Welter</span></span></p></blockquote><p></p>
[QUOTE="Art Welter, post: 51710, member: 52"] re: X32 Discussion [FONT=verdana][SIZE=2] Uli, Thanks for the response to my question. A latency between .8 and 1.5 msec., excellent by digital standards, still makes for a hollow sound for vocalists using in ear monitors. The hollow sound, caused by the comb filter between the natural “head sound” and the digital latency is only heard by the individual singer, not by their band members, engineers or the audience. As they say at the carnival "close but no cigar". Even though Bono is now a billionaire (nice investment strategy), he probably will continue using the analog Midas Venice for his in ear mix even though U2 can afford the XL8 wherever they want it. At the May 11 2006 Midas XL8 unveiling in Albuquerque I asked my old buddy Matt Larson when Midas will put out a digital version of the Venice, at that time it was not in the cards. Glad to see you have realized with the X32 what I hoped could happen when you rescued Midas from Telex (and that tool company), my congratulations! Art Welter[/size][/font] [/QUOTE]
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