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Junior Varsity
X32 Discussion
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<blockquote data-quote="Christian Boche" data-source="post: 51837" data-attributes="member: 1698"><p>re: X32 Discussion</p><p></p><p>@Nate&Uwe: Sorry, seemed that I was mistaken on both of you. It is possible, to use f.e. two S-16 on stage and one (or two or three) at the desk, without the need for a second Cat5 cable from stage to the desk. But the limitation due to the 8blocks is a fact. So you have to set it up like in the old M7CL or LS9 days. Use a copper core from stage and patch your twelve RF Mics directly at the console. Or do your routing like this--></p><p></p><p></p><p><a href="http://www.directupload.net" target="_blank"><img src="http://s14.directupload.net/images/120525/ghxe544b.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></a></p><p></p><p>This way you got your Inputs 1-24 coming from the stage with AES50/S-16, Channel 25-32 are the XLR inputs on the console for eight of your RF mics and RF mics 9-12 twelve coming also through local XLR inputs on the console. The only downside is the restrictions of the Aux Inputs. They don't have dynamics, just EQ. But you could route the Aux inputs to one or more subgroups and compress them there, or you insert a limiter from the FX section, or route it to a dedicated bus and return it in a channel and compress it there. Or route more "uninportant" signals, which don't need dynamcis (f.e. keyboards, samplers, overheads) to the Aux inputs and place all RF mics somewhere in channel 1-32. Remember you got free channel input routing on the X32, always in dependency of your block patch (see pic)! Good thing is, if you choose a local input as feed for your Aux in, the Aux in now has a mic pre. The standard routing for the Aux inputs are the jack line ins on the console, they got just a digital trim (+/-12 dB). If you are fine, with just 16 channels from stage, there would be no limitations at all. Just connect your RF mics with local input 17-24 and 25-32 and you are up and running.</p><p></p><p>@Luigi: Sorry, I don't have any information about the Midas DL251. The only thing that I was told, the Midas and the S-16 are interchangeable. Besides that, I have to correct one thing concerning the Preamps. The X32 does not have a identical preamp design to a Pro02. The build in preamps are a Midas Design, custom made for the X32. Our measurements show, that they absolutly rock. I can confirm that by the gigs I've with the X32. If I remember correct, the ADAT outs on the S-16 are direct outs, so you can't adress them form the X32. At least I found no corresponding entries in the X32 routing section.</p><p></p><p>Christian</p></blockquote><p></p>
[QUOTE="Christian Boche, post: 51837, member: 1698"] re: X32 Discussion @Nate&Uwe: Sorry, seemed that I was mistaken on both of you. It is possible, to use f.e. two S-16 on stage and one (or two or three) at the desk, without the need for a second Cat5 cable from stage to the desk. But the limitation due to the 8blocks is a fact. So you have to set it up like in the old M7CL or LS9 days. Use a copper core from stage and patch your twelve RF Mics directly at the console. Or do your routing like this--> [URL="http://www.directupload.net"][IMG]http://s14.directupload.net/images/120525/ghxe544b.jpg[/IMG][/URL] This way you got your Inputs 1-24 coming from the stage with AES50/S-16, Channel 25-32 are the XLR inputs on the console for eight of your RF mics and RF mics 9-12 twelve coming also through local XLR inputs on the console. The only downside is the restrictions of the Aux Inputs. They don't have dynamics, just EQ. But you could route the Aux inputs to one or more subgroups and compress them there, or you insert a limiter from the FX section, or route it to a dedicated bus and return it in a channel and compress it there. Or route more "uninportant" signals, which don't need dynamcis (f.e. keyboards, samplers, overheads) to the Aux inputs and place all RF mics somewhere in channel 1-32. Remember you got free channel input routing on the X32, always in dependency of your block patch (see pic)! Good thing is, if you choose a local input as feed for your Aux in, the Aux in now has a mic pre. The standard routing for the Aux inputs are the jack line ins on the console, they got just a digital trim (+/-12 dB). If you are fine, with just 16 channels from stage, there would be no limitations at all. Just connect your RF mics with local input 17-24 and 25-32 and you are up and running. @Luigi: Sorry, I don't have any information about the Midas DL251. The only thing that I was told, the Midas and the S-16 are interchangeable. Besides that, I have to correct one thing concerning the Preamps. The X32 does not have a identical preamp design to a Pro02. The build in preamps are a Midas Design, custom made for the X32. Our measurements show, that they absolutly rock. I can confirm that by the gigs I've with the X32. If I remember correct, the ADAT outs on the S-16 are direct outs, so you can't adress them form the X32. At least I found no corresponding entries in the X32 routing section. Christian [/QUOTE]
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