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Junior Varsity
X32 Discussion
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<blockquote data-quote="Christian Boche" data-source="post: 56577" data-attributes="member: 1698"><p>re: X32 Discussion</p><p></p><p></p><p></p><p>You're welcome<img src="https://cdn.jsdelivr.net/joypixels/assets/8.0/png/unicode/64/1f642.png" class="smilie smilie--emoji" loading="lazy" width="64" height="64" alt=":-)" title="Smile :-)" data-smilie="1"data-shortname=":-)" /></p><p></p><p>My personal shopping list gets bigger every month. When I first got the board it had mixed feelings and some of the common Behringer bashing stuff in mind. But I liked the X32 evermore with any job I did. First I was very careful with it, but it worked just like it should. The last gigs I did everything, to provoke some error or fails...but this damn thing is just rock solid. That's one main reason, why I want one for myself. But beeing an old fart, I will go with the S-16 stageboxes. </p><p></p><p>Concerning the P-16 stuff. This is not for replacing a monitordesk and a monitormixer, but it is step ahead than doing monitor sound from foh, which is always quite static. With the P-16, every musician can grab and tweak his own mix during the performance. That's impossible from FoH, or least quite a kludge. If you want to connect highly powered floors wedges to it, you better go with a separte monitor desk (feedback danger). But I would have no problems to feed low level (SPLwise) wegdes with it, but the main aim is to use it with InEar systems. And if you do a lot shows with recurring bands or artists, the P-16 is a nice opportunity to a separat monitor desk, when this is budgetwise not happening. I'm aware, that the P-16 stuff is not for every artist. There are alway some "technique deniers" as there are musicians, with a little background in doing sound. These people would rather go with a P-16M than with an static monitormix from FoH. Good thing is, you can even merge different monitor mixing styles. Some musicians get there monitormix from the X32 desk over a mixbus send, others can use the P-16. I will start with one P-16D hub and four P-16M too. If there is more demand from my customers, I will buy more. </p><p></p><p>BTW: I do some studio work as well and doing cue mixes with the P-16 should be fun too. Just finished a demo recording that I did with the X32, you can definitly use the X32 in a studio enviroment too.</p><p>Christian</p></blockquote><p></p>
[QUOTE="Christian Boche, post: 56577, member: 1698"] re: X32 Discussion You're welcome:-) My personal shopping list gets bigger every month. When I first got the board it had mixed feelings and some of the common Behringer bashing stuff in mind. But I liked the X32 evermore with any job I did. First I was very careful with it, but it worked just like it should. The last gigs I did everything, to provoke some error or fails...but this damn thing is just rock solid. That's one main reason, why I want one for myself. But beeing an old fart, I will go with the S-16 stageboxes. Concerning the P-16 stuff. This is not for replacing a monitordesk and a monitormixer, but it is step ahead than doing monitor sound from foh, which is always quite static. With the P-16, every musician can grab and tweak his own mix during the performance. That's impossible from FoH, or least quite a kludge. If you want to connect highly powered floors wedges to it, you better go with a separte monitor desk (feedback danger). But I would have no problems to feed low level (SPLwise) wegdes with it, but the main aim is to use it with InEar systems. And if you do a lot shows with recurring bands or artists, the P-16 is a nice opportunity to a separat monitor desk, when this is budgetwise not happening. I'm aware, that the P-16 stuff is not for every artist. There are alway some "technique deniers" as there are musicians, with a little background in doing sound. These people would rather go with a P-16M than with an static monitormix from FoH. Good thing is, you can even merge different monitor mixing styles. Some musicians get there monitormix from the X32 desk over a mixbus send, others can use the P-16. I will start with one P-16D hub and four P-16M too. If there is more demand from my customers, I will buy more. BTW: I do some studio work as well and doing cue mixes with the P-16 should be fun too. Just finished a demo recording that I did with the X32, you can definitly use the X32 in a studio enviroment too. Christian [/QUOTE]
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