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Junior Varsity
X32 Discussion
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<blockquote data-quote="Per Søvik" data-source="post: 60193" data-attributes="member: 1285"><p>re: X32 Discussion</p><p></p><p></p><p></p><p>Why this aversion to 96KHz? So you only get half the channels, big deal! You are not sacrificing anything, you get a 32 channel 48KHz live mixer <u>and</u> a 16 channel 96Khz studio recording mixer and interface for the price of one. OK, so the extra selling point plus the extra development effort on Behringers part might put the price up if they don't decide to just sell the firmware upgrade to those willing to pay, but either way it makes sense. If you need to record more than 16 channels at once you obviously have to look for a bigger machine or settle for the lower sampling rate.</p><p>Yes you can make good recordings with 44.1 KHz, in fact some notable recordings were made with a noisy four track, a couple of Unidynes and a makeshift studio in a living room. Why bother with colour and sound, some classics are dusty old black and white silent movies.</p></blockquote><p></p>
[QUOTE="Per Søvik, post: 60193, member: 1285"] re: X32 Discussion Why this aversion to 96KHz? So you only get half the channels, big deal! You are not sacrificing anything, you get a 32 channel 48KHz live mixer [U]and[/U] a 16 channel 96Khz studio recording mixer and interface for the price of one. OK, so the extra selling point plus the extra development effort on Behringers part might put the price up if they don't decide to just sell the firmware upgrade to those willing to pay, but either way it makes sense. If you need to record more than 16 channels at once you obviously have to look for a bigger machine or settle for the lower sampling rate. Yes you can make good recordings with 44.1 KHz, in fact some notable recordings were made with a noisy four track, a couple of Unidynes and a makeshift studio in a living room. Why bother with colour and sound, some classics are dusty old black and white silent movies. [/QUOTE]
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