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Junior Varsity
X32 Discussion
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<blockquote data-quote="Timo Ulkuniemi" data-source="post: 63497" data-attributes="member: 1978"><p>AUX / Mono - sub one more time + AES/EBU connection question</p><p></p><p>Hello</p><p></p><p></p><p>Rain started at lake - so we headed home....</p><p></p><p></p><p>FIRST</p><p></p><p>Immediately after unpacking I got into X32.... Feeding signal from CD into ch 15 & 16 I routed the output to go both LR & Mono Bus - Mono bus has its master fader in layer #4 on right faderbank, so I tweaked the sound there to act as x-over sub-band. On LR / Master I cut the low end out. So everything goes swell there - I do get low band for selected channels only - while rest of the channels go only to fullrange top cabinets starting at 60-80Hz up - so goodbye rumble issues - welcome tight clean low end.</p><p></p><p>BUT - one problem still remains - it is not possible to link the two master faders ( at least I could not figure it out ) - so I am in a situation, where if I ever for any reason should want to finetune overall level, I have to do so with TWO faders instead of one. Sure the master fader is always there, but the low-band master is behind layer switch 99,9% of time, since I practically never use the matrix....</p><p></p><p>Notice - I am talking of finetuning only - of course I try to set up everything so the master dwells at 0 - but sometimes especially in live situation with new group nasty surprises appear from left behind the corner, and then it is best just to grab the whole system down a bit - with master fader.</p><p></p><p>So this was, what I adressed in my previous post last night - perhaps Behringer could come up with software update, that allows this.</p><p></p><p></p><p></p><p>SECOND</p><p></p><p>Then there was suggestion of sending LR via AES/EBU output into Ultradrive, which per se is a good idea - but I think it can not be realized with S16 & AES50 - please correct me if I am wrong. Actually I do not see any prblem with that either in my job - I do only live bands, and normally the crowd produces minimum 40dB SPL even at quiet concert - let alone pubs and clubs, where ambient noice is more around 80dB SPL - so the dynamic range of the system with "extra" AD/DA-conversions is more than enough anyway with ample headroom.</p></blockquote><p></p>
[QUOTE="Timo Ulkuniemi, post: 63497, member: 1978"] AUX / Mono - sub one more time + AES/EBU connection question Hello Rain started at lake - so we headed home.... FIRST Immediately after unpacking I got into X32.... Feeding signal from CD into ch 15 & 16 I routed the output to go both LR & Mono Bus - Mono bus has its master fader in layer #4 on right faderbank, so I tweaked the sound there to act as x-over sub-band. On LR / Master I cut the low end out. So everything goes swell there - I do get low band for selected channels only - while rest of the channels go only to fullrange top cabinets starting at 60-80Hz up - so goodbye rumble issues - welcome tight clean low end. BUT - one problem still remains - it is not possible to link the two master faders ( at least I could not figure it out ) - so I am in a situation, where if I ever for any reason should want to finetune overall level, I have to do so with TWO faders instead of one. Sure the master fader is always there, but the low-band master is behind layer switch 99,9% of time, since I practically never use the matrix.... Notice - I am talking of finetuning only - of course I try to set up everything so the master dwells at 0 - but sometimes especially in live situation with new group nasty surprises appear from left behind the corner, and then it is best just to grab the whole system down a bit - with master fader. So this was, what I adressed in my previous post last night - perhaps Behringer could come up with software update, that allows this. SECOND Then there was suggestion of sending LR via AES/EBU output into Ultradrive, which per se is a good idea - but I think it can not be realized with S16 & AES50 - please correct me if I am wrong. Actually I do not see any prblem with that either in my job - I do only live bands, and normally the crowd produces minimum 40dB SPL even at quiet concert - let alone pubs and clubs, where ambient noice is more around 80dB SPL - so the dynamic range of the system with "extra" AD/DA-conversions is more than enough anyway with ample headroom. [/QUOTE]
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