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Junior Varsity
X32 Discussion
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<blockquote data-quote="Christian Boche" data-source="post: 65237" data-attributes="member: 1698"><p>re: X32 Discussion</p><p></p><p></p><p></p><p>I'm not that experienced with doing monitors, but I stole some practices from vetran monitor guys. Most of them ride everything post fader, especially in "combat audio situations" like festivals with short changeovers and "line check & go" practices.</p><p>On a digital console, especially when you have to deal with layers and floor wedges, it can be tough to seek&destroy feedback on the spot. With your signals in postfader you can instantly grab a fader and pull it down, so the overall output of this fader gets instantly lower in volume on every monitor out. Or the band starts to play and no one can hear the lead singer loud enough, you just raise the fader on the lead singers channel and you're good. Selecting and adjusting each separate monitormix takes too long. Concerning the side fills, I prefer to have them (left & right) on seperate mixbuses, at least when woking in band enviroment. Postfader monitor for the DJ is a good thing, when you have to deal with DJs who crank everything up to the max. If they raise their outputlevel, their monitor volume will raise too. Works quite good as "DJ emergency brake"<img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite1" alt=":)" title="Smile :)" loading="lazy" data-shortname=":)" /></p><p>Christian</p></blockquote><p></p>
[QUOTE="Christian Boche, post: 65237, member: 1698"] re: X32 Discussion I'm not that experienced with doing monitors, but I stole some practices from vetran monitor guys. Most of them ride everything post fader, especially in "combat audio situations" like festivals with short changeovers and "line check & go" practices. On a digital console, especially when you have to deal with layers and floor wedges, it can be tough to seek&destroy feedback on the spot. With your signals in postfader you can instantly grab a fader and pull it down, so the overall output of this fader gets instantly lower in volume on every monitor out. Or the band starts to play and no one can hear the lead singer loud enough, you just raise the fader on the lead singers channel and you're good. Selecting and adjusting each separate monitormix takes too long. Concerning the side fills, I prefer to have them (left & right) on seperate mixbuses, at least when woking in band enviroment. Postfader monitor for the DJ is a good thing, when you have to deal with DJs who crank everything up to the max. If they raise their outputlevel, their monitor volume will raise too. Works quite good as "DJ emergency brake":-) Christian [/QUOTE]
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