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Junior Varsity
X32 Discussion
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<blockquote data-quote="Paul Johnson" data-source="post: 67252" data-attributes="member: 2643"><p>Re: X32 Discussion</p><p></p><p>I took the advice to my question about having the crossover filtering in the desk and not in a box near the amps - BUT - other people have commented on the 'pro' aspects against the 'cons' - and I've one more question. What is the difference between the processing taking place FOH, or on stage. Sure - getting it wrong can wreck things, but that can also be done by an idiot on stage playing with recallable memories in a processor there?</p><p></p><p>Nobody has yet given any logical reason why processing has to be done from stage, apart from statements saying it must, and detailing what can go wrong.</p><p></p><p>Not convinced yet. Has anyone else had to pull an amp rack centre stage to actually hear what the crossover tweaking actually sounds like?</p></blockquote><p></p>
[QUOTE="Paul Johnson, post: 67252, member: 2643"] Re: X32 Discussion I took the advice to my question about having the crossover filtering in the desk and not in a box near the amps - BUT - other people have commented on the 'pro' aspects against the 'cons' - and I've one more question. What is the difference between the processing taking place FOH, or on stage. Sure - getting it wrong can wreck things, but that can also be done by an idiot on stage playing with recallable memories in a processor there? Nobody has yet given any logical reason why processing has to be done from stage, apart from statements saying it must, and detailing what can go wrong. Not convinced yet. Has anyone else had to pull an amp rack centre stage to actually hear what the crossover tweaking actually sounds like? [/QUOTE]
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