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Junior Varsity
X32 Discussion
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<blockquote data-quote="Per Søvik" data-source="post: 68231" data-attributes="member: 1285"><p>Re: Automixing</p><p></p><p></p><p>Hmmm....sorry for the misspelling. Given that sources for automixing would be basically incoherent, wouldn't it be reasonably safe to calculate gains based on that assumption, or would that result in some instability due to random or cyclic coherence between the sources?</p><p></p><p></p><p>I guess it would be quite viable to combine a (slowish) external gain control with the somewhat faster onboard gates, thus not having to involve the external processing in anything but the actual level riding, not ever having to close down a channel further than the feedback safe level and still have no noise issues because the gates handles that.</p><p>Now, forgive me for being absolutely ignorant, but what kind of live automixing scenario is there that can't be solved by gating and compressing individual channels plus groups. While I certainly understand the difference between compressing and automatic gain riding, once you set the compressor to quite long times ( the X32 compressor can be quite sluggish at 120mS attack, 2 S hold and 4 S release), and for the play we did last week-end, I found it quite usefull to just replicate what I've done before with the actors earset mikes being open all the time and just gating and soft-knee comping. Given the extra capabilities now at hand, I'm thinking maybe expanding at the input channels and compressing the group channels to get closer to a level control of sorts, or would that be counter-productive?</p></blockquote><p></p>
[QUOTE="Per Søvik, post: 68231, member: 1285"] Re: Automixing Hmmm....sorry for the misspelling. Given that sources for automixing would be basically incoherent, wouldn't it be reasonably safe to calculate gains based on that assumption, or would that result in some instability due to random or cyclic coherence between the sources? I guess it would be quite viable to combine a (slowish) external gain control with the somewhat faster onboard gates, thus not having to involve the external processing in anything but the actual level riding, not ever having to close down a channel further than the feedback safe level and still have no noise issues because the gates handles that. Now, forgive me for being absolutely ignorant, but what kind of live automixing scenario is there that can't be solved by gating and compressing individual channels plus groups. While I certainly understand the difference between compressing and automatic gain riding, once you set the compressor to quite long times ( the X32 compressor can be quite sluggish at 120mS attack, 2 S hold and 4 S release), and for the play we did last week-end, I found it quite usefull to just replicate what I've done before with the actors earset mikes being open all the time and just gating and soft-knee comping. Given the extra capabilities now at hand, I'm thinking maybe expanding at the input channels and compressing the group channels to get closer to a level control of sorts, or would that be counter-productive? [/QUOTE]
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