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Junior Varsity
X32 Discussion
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<blockquote data-quote="Per Søvik" data-source="post: 74119" data-attributes="member: 1285"><p>Re: Effect in monitors</p><p></p><p></p><p></p><p>Very often, what we want and what singers want is the exact opposite. A choir want to sing in a reverberant space where they get good natural feedback from the room, ant then the choir want music in the monitors etc. etc, and we start struggling with muddy sound. We all like singing in a tiled concrete room, but you don't see a lot of studios with such a room for a vocal booth. Being a guitar player with a double-double Marshall stack and turning up to 11 to get the whole room properly excited and resonnating is satisfying and fun, but a nightmare for the poor b...... at foh. </p><p>Giving the lead vocalist a little reverb to help them feel confident often solves more problems than it creates, the confident singer will often need less gain and will be happy with less monitor because the presence of reverb gives a feeling of getting more back from the room.</p></blockquote><p></p>
[QUOTE="Per Søvik, post: 74119, member: 1285"] Re: Effect in monitors Very often, what we want and what singers want is the exact opposite. A choir want to sing in a reverberant space where they get good natural feedback from the room, ant then the choir want music in the monitors etc. etc, and we start struggling with muddy sound. We all like singing in a tiled concrete room, but you don't see a lot of studios with such a room for a vocal booth. Being a guitar player with a double-double Marshall stack and turning up to 11 to get the whole room properly excited and resonnating is satisfying and fun, but a nightmare for the poor b...... at foh. Giving the lead vocalist a little reverb to help them feel confident often solves more problems than it creates, the confident singer will often need less gain and will be happy with less monitor because the presence of reverb gives a feeling of getting more back from the room. [/QUOTE]
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