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<blockquote data-quote="Dan Mortensen" data-source="post: 80898" data-attributes="member: 2826">Re: X32 DiscussionCool!Thanks, Robert, I&#039;d be happy for you to take console .16 and to be done with it, as long as another one is on its way to replace it. I sent a note to Starin yesterday about beginning the RMA process for .16, but haven&#039;t heard back yet.I&#039;d rather do email than PM&#039;s here, as that removes one more link in the communication process. Regarding the Monitor Whine Problem, I found a work-around that completely solves the problem for monitor mixers: Go to the Monitor live view section.Scroll down &quot;Solo Options&quot; to select &quot;Use Master Fader&quot;Go to Routing, &quot;Analog Output&quot;Select output 15In Category, select &quot;Monitor&quot;In Output Signal, select &quot;Monitor L&quot;Repeat for output 16 and &quot;Monitor R&quot;Tap is Post Fader.Now you are completely bypassing the nasty Monitor min/max pot, and the output is as quiet as all the other analog outputs. You have replaced using the rotary pot with using the master fader.All is good.This solves it for me, and for my monitor engineers, but I doubt it solves the problem for the recording guys who want to control their control room monitors. Maybe it does solve their problem, but it for sure solves mine.Fiona&#039;s post jogged my thinking to figure out other ways of routing, so credit there, too.Thanks,Dan</blockquote>

[QUOTE="Dan Mortensen, post: 80898, member: 2826"] Re: X32 Discussion Cool! Thanks, Robert, I'd be happy for you to take console .16 and to be done with it, as long as another one is on its way to replace it. I sent a note to Starin yesterday about beginning the RMA process for .16, but haven't heard back yet. I'd rather do email than PM's here, as that removes one more link in the communication process. Regarding the Monitor Whine Problem, I found a work-around that completely solves the problem for monitor mixers: Go to the Monitor live view section. Scroll down "Solo Options" to select "Use Master Fader" Go to Routing, "Analog Output" Select output 15 In Category, select "Monitor" In Output Signal, select "Monitor L" Repeat for output 16 and "Monitor R" Tap is Post Fader. Now you are completely bypassing the nasty Monitor min/max pot, and the output is as quiet as all the other analog outputs. You have replaced using the rotary pot with using the master fader. All is good. This solves it for me, and for my monitor engineers, but I doubt it solves the problem for the recording guys who want to control their control room monitors. Maybe it does solve their problem, but it for sure solves mine. Fiona's post jogged my thinking to figure out other ways of routing, so credit there, too. Thanks, Dan [/QUOTE]

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