Well I bought a D6, and hated it. Too woofy in the wrong freq, no real definition, and the diaphram breaks if there is too much spl .... great design criteria for a kick drum right there. Phenominal on guitars when it fits the mix or have a wierd muddy guitar player.
Looking for a secondary mic to reinforce the low end woof and serve as a backup to a Beta 91A for FOH, and carry the kick woof low end in monitors for a song or two until a 57 can be added/issue resolved or repositioned).
I like the Beta 52, have no problems with it aside from having FOH/MON placement issues to what sound to get out of it), but looking for other suggestions (D112s need not apply, D12 can but haven't seen a working one up for grabs in years)
Genres are typically Rock, Country and Pop with most of the weight carried by the 91 (but needs unph in the wedge department without killing drivers and putting amps in clip, while still usable at FOH in the same department)
So what's your suggestion and how do you use it?
Looking for a secondary mic to reinforce the low end woof and serve as a backup to a Beta 91A for FOH, and carry the kick woof low end in monitors for a song or two until a 57 can be added/issue resolved or repositioned).
I like the Beta 52, have no problems with it aside from having FOH/MON placement issues to what sound to get out of it), but looking for other suggestions (D112s need not apply, D12 can but haven't seen a working one up for grabs in years)
Genres are typically Rock, Country and Pop with most of the weight carried by the 91 (but needs unph in the wedge department without killing drivers and putting amps in clip, while still usable at FOH in the same department)
So what's your suggestion and how do you use it?