I had my GLD lock up today. I was configuring it for an upcoming gig.
First, the screen stopped responding (or actually got very slow to respond - then stopped). The desk was still passing audio. Then, the other controls got slow - mute a channel and it took several seconds to happen. Then I noticed that the channel meters stopped responding. I could not tell if audio still passed as I had muted the inputs.
I did have a lot going on and was flipping through pages trying to figure some things out with audio routing in through the 24x12 box and out through the 8x4 box with 2 iPads connected and audio being routed out through Dante as well.
I did note that before this all happened I was seeing very slow response on the iPad when selecting a strip or mix to set aux levels. The 2 iPads were gen 3 & 4 so plenty fast.
Anyone else seen this?
I had latest firmware as of 3 weeks ago.
Sent from my iPad HD
Notes from the (way too early!) webinar:
-GLD editor interface looks pretty much like the GLD surface so should be really nice for training the UI of the console off-line.
-Editor available for free (yay!)
-Editor can set up show files off-line or connect to the GLD and control it live. Up to sixteen instances of remote control (editor and iPad apps) can connect to the console at one time.
-Editor runs on OS X (sorry, wasn't paying attention to versions... not a Mac user) and Windows (32-bit XP, Vista, 7 and 8, 64-bit 7 and 8). My laptop's running 64-bit Vista so this makes me a little bit less than happy.
-In Windows 8, the editor is a "desktop mode" app, which I take to mean that the UI is better suited to mouse/keyboard than the touchscreen of a tablet.
-GLD editor and V1.3 firmware to ship next week. No specifics on release date for V1.3 of the iPad apps (V1.2 apps will not be compatible with V1.3 firmware) but I'd presume the timing will be similar to the V1.2 upgrade, with the apps available shortly after the firmware ships..
-New features in 1.3: Digital trim can now be ganged, and mix buses can now be routed to input processing channels or direct inputs of mix buses. They didn't spend a ton of time discussing new features so it's possible there will be a few other goodies in there.
-There was also a pretty comprehensive walkthrough of the ME-U hub for the ME personal mixing system, which is starting to ship. There's a web interface to monitor status or edit channel names over a network, which looks like it should be handy when using protocols that don't include channel names (i.e., anything other than Dsnake).
Overall, I'd say the editor looks like a solid effort. I was hoping to see better Windows 8 touchscreen functionality so I could rationalize buying a new touchscreen laptop, but maybe I'll just have to let go of my irrational antipathy toward Apple and get an iPad instead...
So, questions on scenes.
I am asking not because I won't take the time to figure it out but I have limited time before the next gig (and first with the GLD) and am configuring it as fast as I learn.
So, what I would like to do is have a scene for each time slot at the festival and just load the scribble strips (words and colors) and maybe the mutes.
Hints to set it up?
Sent from my iPad HD
I had a request from a BE to patch his FX rack in for a festival.
I was thinking of using the 8x4 box at FOH for it. Any suggestions on setup as I am still a novice on this desk.
Come up with a show file with your initial setup - I/O patching, effects, etc. Save default channel name parts such as kick, snare, LVoc, BVoc, in those white spaces so you can recall quickly. Save this as your default show so you don't have to start from scratch for every gig.So, questions on scenes.
I am asking not because I won't take the time to figure it out but I have limited time before the next gig (and first with the GLD) and am configuring it as fast as I learn.
So, what I would like to do is have a scene for each time slot at the festival and just load the scribble strips (words and colors) and maybe the mutes.
Hints to set it up?
Sent from my iPad HD
Not sure if you can do that with FX buses or not (I have a vague recollection that FX buses don't count toward the 20 mix bus limit because they're internal to the console). You could certainly take four post-fade auxes out to the external FX and return them on four input channels, though.So, can I take FX5-8 sends/returns and just repatch to the XLRs on the 8x4 box?
Come up with a show file with your initial setup - I/O patching, effects, etc. Save default channel name parts such as kick, snare, LVoc, BVoc, in those white spaces so you can recall quickly. Save this as your default show so you don't have to start from scratch for every gig.
I've gone to starting my drum patch on channel 13, leaving the top page of inputs for things I touch more often. If you have a starting patch like that, you can go ahead and name the channels.
When I did a festival (I used the GLD for monitors - FOH was an M7), I over-did the number of channels - 6 vocals, 3 electrics, etc. I did this to be covered for everything and to match the FOH patch, but I later decided that it was worth the couple seconds to collapse the number of channels in use to fit on 2 pages of the left bank rather than 3.
For whatever reason I haven't done much with scenes, but rather show files for different groups.
I think it should work, but haven't tried it.Any thoughts on the external FX patching?
Sent from my iPad HD
I don't think it will work. I think FX sends and returns are for internal use only. He will need to use an aux and input channel to get an external FX in and out. I could be wrong, but I'm pretty much that's the limitation of the 20 mix buses + 8 free FX buses.I think it should work, but haven't tried it.