Inadequate Sub Power For a Venue... Tips/Tricks/Help

Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

No. Those subs and amps are part of "My" system. as he refers to it as. He won't take them with him. He uses the internal amps. The 2 crest amps in their seperate 2 space plastic gator racks are to heavy. :lol:
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Why not get him to hook up the "bigger amps" in the shop and drive them hard to see what happens.

He is suggesting something that is what most consider a bad idea. I would not risk you being blamed for something that he suggested.
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

Why not get him to hook up the "bigger amps" in the shop and drive them hard to see what happens.

He is suggesting something that is what most consider a bad idea. I would not risk you being blamed for something that he suggested.

Because He thinks the x32 has some magic limiter on it that will solve the problem overall. They'll get hooked up in the shop and tested. Just not drivin hard. He's not a big fan of "See What Happens at the shop" hes more or less "It works at the shop, it'll work at the venue too"
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

They'll get hooked up in the shop and tested. Just not drivin hard. He's not a big fan of "See What Happens at the shop" hes more or less "It works at the shop, it'll work at the venue too"
Have him show you in the owners manual where it says it's OK to connect an external amplifier to these things. If he can't do that then ask him what makes him think it's a good idea when guys with decades of experience in this industry have never seen it done before.
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

Your boss seems like the kind of guy who will blame an obvious ground loop on the location's power service.
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

Your boss seems like the kind of guy who will blame an obvious ground loop on the location's power service.

Nah. He can't hear those anymore. And most of the time its not the power source, its from him running DMX Through the snake, and running the light board off of the same power source as the sound board. That doesn't happen anymore when Im there.
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

Hey, wait a minute. Simple math here says if you drive a 1000 watt amp with another 1000 watt amp you get a MILLION watts. As long as the speakers can handle it...should be good to go. )

j/k (as if I really have to say that)
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

Hey, wait a minute. Simple math here says if you drive a 1000 watt amp with another 1000 watt amp you get a MILLION watts. As long as the speakers can handle it...should be good to go. )

j/k (as if I really have to say that)
I HAVE heard several people say that if you drive a 1000 watt amp with another 1000 watt amp you get 2000 watts to the speakers.

Yes they REALLY believe that------------------

Where to do they get this from? OH YEAH-they just make it up and pass it on to others who believe them and then it gets passed on some more.

No wonder our industry is so screwed up---------

Always remember to have all your cables the same length so there is no delay coming from them----------------------------------------

The reason there is no bass is that the room is not big enough to reproduce those long waves (never mind how headphones or car stereo works--------)

And it goes on and on----------
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

I HAVE heard several people say that if you drive a 1000 watt amp with another 1000 watt amp you get 2000 watts to the speakers.

Yes they REALLY believe that------------------

Where to do they get this from? OH YEAH-they just make it up and pass it on to others who believe them and then it gets passed on some more.

No wonder our industry is so screwed up---------
If you think about what is happening when we drive a loudspeaker bridged, you could drive one speaker lead with a 1kW amp, and the other speaker lead with opposite polarity 1kW amp and they do sum to 2kW in the speaker.
Always remember to have all your cables the same length so there is no delay coming from them----------------------------------------
We really shouldn't offer satirical advice without emoticons to telegraph when we are teasing. Some people reading this may not get the humor. Ivan is joking about wire length! I have actually seen that question asked recently.
The reason there is no bass is that the room is not big enough to reproduce those long waves (never mind how headphones or car stereo works--------)

And it goes on and on----------
Kidding again.

The cascading two 1kW amps to make 1MW confuses behavior of voltage gain and power output... A 1000x voltage gain amp feeding a second 1000x will make 1,000,000x voltage gain. Power amps are voltage amplifiers so literally will multiply the voltage when cascaded, but power capability of the first amp is not used. FWIW the older Peavey amps (with unbalanced inputs) could literally accept the voltage output from another power amp, attenuate it down to reasonable levels, and use it as a valid input for the second amp.

I always find it amusing when people brag that they were able to get a decent sound out of a Peavey system, that stuff was engineered to make it hard to fail with, while there were always a few customers that managed to rise to that challenge. :)

JR
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

If you think about what is happening when we drive a loudspeaker bridged, you could drive one speaker lead with a 1kW amp, and the other speaker lead with opposite polarity 1kW amp and they do sum to 2kW in the speaker.

We really shouldn't offer satirical advice without emoticons to telegraph when we are teasing. Some people reading this may not get the humor. Ivan is joking about wire length! I have actually seen that question asked recently.

Kidding again.

The cascading two 1kW amps to make 1MW confuses behavior of voltage gain and power output... A 1000x voltage gain amp feeding a second 1000x will make 1,000,000x voltage gain. Power amps are voltage amplifiers so literally will multiply the voltage when cascaded, but power capability of the first amp is not used. FWIW the older Peavey amps (with unbalanced inputs) could literally accept the voltage output from another power amp, attenuate it down to reasonable levels, and use it as a valid input for the second amp.

I always find it amusing when people brag that they were able to get a decent sound out of a Peavey system, that stuff was engineered to make it hard to fail with, while there were always a few customers that managed to rise to that challenge. :)

JR
Agreed about the bridging-except when you bridge 2 1000 watt amps you get 4000 watts-6dB voltage gain (into the same impedance-assuming it is within the limits of the amps).

But the times I have heard people say this they were just talking about running the output of one amp into another.

Yes some amps can "take" the output of another-but you are still limited by the "power" of the second amp. The first one adds nothing to the total capability.

Totally agreed about making Peavey gear hard to fail with. But I have had people INSIST that I remove an autograph (that was only being used as an RTA-not the system eq) from the rack because-as they put it-"Peavey gear contaminates the ground-even when it is turned off". WOW the stuff people believe and don't have a clue about-but they still keep on "preaching it".

My personal favorite is the CS800. It was designed so that you could drive it into a dead short all day and not kill it (till it thermally shut down) but it would come back.

in fact that was the test for a repair-short the output and drive it into full clip until it overheated. Then remove the short after it cooled down and if it still worked you did a good repair.

That came straight from the Peavey repair center and I did that that test many times. It was designed so that "stupid musicians" could hook up as many speakers as they wanted and they could not kill the amp and it would keep on making sound and not have relays that disconnected the speakers. Yes the power would drop way down-but the amp would not die :)

To me THAT is a good design. Hats off to the designers. They understood their market and what the "typical customer" would do equipment.

The important thing was to keep working day after day. Not work really good sometimes and constantly break down.

And in the ol' days, when Peavey gear needed repair-it was pretty inexpensive to repair. I am not sure about these days.
 
Re: Inadequate Sub Power For a Venue... Tips/Tricks/Help

Agreed about the bridging-except when you bridge 2 1000 watt amps you get 4000 watts-6dB voltage gain (into the same impedance-assuming it is within the limits of the amps).
Yes, but the concept of two bridged power amp outputs combining power is valid.
But the times I have heard people say this they were just talking about running the output of one amp into another.
understood (or should i say misunderstood).
Yes some amps can "take" the output of another-but you are still limited by the "power" of the second amp. The first one adds nothing to the total capability.
Yup... but sometimes adding an amp to say a powered mixer, this could actually be a useful mode of operation.

That capability went away with the modern electronic balanced inputs, that don't have a passive attenuator across the input. (I did one amp with a balanced passive attenuator across it's input, but the attenuator kill of that topology approach was inferior, so i didn't expand it into other models.)
Totally agreed about making Peavey gear hard to fail with. But I have had people INSIST that I remove an autograph (that was only being used as an RTA-not the system eq) from the rack because-as they put it-"Peavey gear contaminates the ground-even when it is turned off". WOW the stuff people believe and don't have a clue about-but they still keep on "preaching it".
You don't need to tell me about that,,, I lived it for 15 years.
My personal favorite is the CS800. It was designed so that you could drive it into a dead short all day and not kill it (till it thermally shut down) but it would come back.

in fact that was the test for a repair-short the output and drive it into full clip until it overheated. Then remove the short after it cooled down and if it still worked you did a good repair.
In fact that is standard practice in the factory when building the amps to short them while in the burn-in rack to confirm the protection features all work.
That came straight from the Peavey repair center and I did that that test many times. It was designed so that "stupid musicians" could hook up as many speakers as they wanted and they could not kill the amp and it would keep on making sound and not have relays that disconnected the speakers. Yes the power would drop way down-but the amp would not die :)
That was not really an intended use. Peavey was not first in the market to push 2 ohm operation and Peavey sold the auto-match auto-formers so customers could match speaker loads to the optimal design load for the amps.

I recall one discussion with Jack Sondermeyer (the father of the CS800) about an obscure low impedance approach for small installed sound systems. Instead of stepping up to 70/100V and adding step down transformer at each speaker. One auto-match steps down the amp output to be happy driving 1 ohm loads, and then you hang a bunch of 8 ohm speakers in parallel. Of course the wire losses are higher, so not appropriate for very long speaker runs, but cheap and not so dirty for small background music or installed systems.

The hard to blow up amps, saved many a gig, when a system lost one amp and finished with the speakers doubled up on the working amp. It would usually work if you didn't press your luck thermally, and weren't already overloading the amps.
To me THAT is a good design. Hats off to the designers. They understood their market and what the "typical customer" would do equipment.

The important thing was to keep working day after day. Not work really good sometimes and constantly break down.

And in the ol' days, when Peavey gear needed repair-it was pretty inexpensive to repair. I am not sure about these days.

I was working at Peavey when we abandoned the IC sockets and that was perhaps the beginning of the end for cheap easy repairs, but FWIW opamps had become so reliable that with the exception of inputs and outputs opamp failures in the middle of the boards didn't require much attention. The shift to SMD technology was the last nail in the coffin.

It is too expensive to build product not using SMD today, but not as easy to repair as old school through hole.

JR