Would need a huge budget if they mic'd each piano with 17 mics like that guy on LSI did a few years back (for Warren Zevon)...
But seriously - does anyone know the reason for this array setup ? I initially thought it was to do some sort of 360 degree audience but the second pic doesn't show seats in that area.
Flown monitors for the band or, a kind of cancellation PA like cardiod subs ?
Andrew
Only the LF of the reverse boxes are playing, in some sort of low-mid cardioid setup?
This "S-array" is a part of quite complex system designed with goal to improve acoustic evironment both for artists and audience. As one can see from first photo, venue is an old-fashioned universal concert and congress hall, with side walls too far apart. With such proportions, acoustics can't be ideal. So I designed sound system which has to improve known shortcomings of room acoustics. Besides this array, I used surround system which consists of 54 cabinets mounted along walls, some speakers on the ceiling, and few cabinets on the stage, specially for choir, which is situated on risers behind pianos. I used PM5D to make kind of delay matrix in order to correlate all the mics and speakers.
According to Ivan Brusic:
I believe he's the house tech at the Sava Center, where the pics were taken.
But his statement say NOTHING about the concept or usage.According to Ivan Brusic:
I believe he's the house tech at the Sava Center, where the pics were taken.
I know why (just a guess, but I'm pretty sure).
Nobody is even close yet.
Well, spill it Tim. :roll:
Someone felt the need to incur back pain in technicians gazing upon the structure.Any more guesses?
What are you talking about? I already quoted Ivan, who designed the rig, and his reasons for doing so.I know why (just a guess, but I'm pretty sure).
Nobody is even close yet.
I did not read any "reason" why he did it-or what the "theory" is behind the "design".What are you talking about? I already quoted Ivan, who designed the rig, and his reasons for doing so.