Re: Need SUB help...
Silas,
For 30 years before you were even a sparkle in your parents' eyes, concerts have been had all around the world with excellent results using "big iron" amps. PWM amps are not essential to achieving hi-fi sounding low end. While I'm fairly the RMX series takes some short cuts to reach the price point they are at I've tested them myself on a bench with a scope, multimeter, et al. and they will put out their rated power.
That said, PWM amps, especially those with an SMPS will be much less suceptible to poor power conditions simply due to efficiency. Most every venue I've worked locally must have stiff power because I've never had any trouble getting results from my mix of RMX and Yorkville non-PWM amps (4050 included).
The difference between a bridged (or even stereo) low-quality amp and a pro-quality, class D or I amp of the same power, is nothing short of huge in my experience. The overall power may not be much more, but the vastly better sound quality and cone control is beyond worth it in my opinion. Not to mention the limiters allow one to hit the subs much harder without fear of blowing them up, getting every last ounce of output from them.
Silas,
For 30 years before you were even a sparkle in your parents' eyes, concerts have been had all around the world with excellent results using "big iron" amps. PWM amps are not essential to achieving hi-fi sounding low end. While I'm fairly the RMX series takes some short cuts to reach the price point they are at I've tested them myself on a bench with a scope, multimeter, et al. and they will put out their rated power.
That said, PWM amps, especially those with an SMPS will be much less suceptible to poor power conditions simply due to efficiency. Most every venue I've worked locally must have stiff power because I've never had any trouble getting results from my mix of RMX and Yorkville non-PWM amps (4050 included).