John, the rant wasn't aimed at me. The guy played at a club where I own the system. I wasn't mixing that day,but the owner has been cited twice by the LCB for complaints about volume so I assume the owner or manager told him to turn down. I try to get and mostly do get co-operation but sometimes you get the ones who refuse to co-operate. If they're too loud at that club,it's most likely the management won't have them back.
Lowest Common Bassist.What is LCB?
Lowest Common Bassist.
Liquor Controlled Bassist
Loud Controlling Bassist
Liquor Control Board
Number 3 Liquor Control Board.It's a Pennsylvania thing. We also have other arcane things like we have to buy our liquor and wine from a "State Store" run by the LCB.We also have beer distributors who only sell cases of beer.6 packes are sold in bars not grocery stores. They tried to change this a few years ago but the unions and the religious groups fought against it.
Why does a Liquor Control Board have jurisdiction over sound levels?
Why does a Liquor Control Board have jurisdiction over sound levels?
I'm a sound guy now, but I spent my early 20's touring as a professional guitar player. I can sympathize with both sides. That being said, I love the way my amp sounds (50 watt hand wired marshal plexi) when turned up all the way, it doesn't even start to have 'that' sound until it's at least past half. But, I hate to have that sound blasting the front row of patrons. So, I never face my cab to the crowd. I've even been known to cover the cab and mic with a moving blanket. If you are offending a club owner or soundman, it's becasue you are being offensive - these guys aren't out to get you, they just want to have a comfortable show.
TL : DR Don't be a dick.
Part of being a professional is having the right tools for the job. If you can only get your sound from an amp that's cranked, then you should have amps of an appropriate size for the kinds of venues you're likely to be playing. That may mean owning an 18-watt Marshall in addition to the JMP50. Or even a Fender Champ.
Part of being a professional is having the right tools for the job. If you can only get your sound from an amp that's cranked, then you should have amps of an appropriate size for the kinds of venues you're likely to be playing. That may mean owning an 18-watt Marshall in addition to the JMP50. Or even a Fender Champ.
The words "professionalism" and "guitarist" tend to be mutually exclusive. To say what I think of most guitar players would likely render me unemployed so I'll stop here.
Two of my best friends are guitar players, and they are the nicest people I know.
Oh... you meant like, electric guitar. Not classical guitar. Ah.
I get to mix some incredibly gifted and delightful acoustic guitarists; it's a shame what can happen to the player when amplifiers and pedals get involved...
I get to mix some incredibly gifted and delightful acoustic guitarists; it's a shame what can happen to the player when amplifiers and pedals get involved...