Re: This winter's DIY-project just arrived.
Ossian, not using the correct angles for your cuts and no screws to pull joints together while the glue expands (not a fan of polyurethane glue) may have resulted in leakage responsible for the "barky" sound. That said, with no mention of what your top cabinets and alignment procedure, no frequency response measurements, no way to tell what the problems are that you encountered.
I crossed my Keystones at 100 Hz, 24dB BW, some out of band upper peak reduction and in band EQ to flatten response, then delayed the top speakers for an even phase match, the sound (and frequency and phase measurement) was smooth through the entire "kick" region, as neutral of a sound as any sub/top transition I have heard.
Art
I agree completely with Ivan's response, screws hold up to abuse, and having a speaker that can take 6.6 horsepower (like Helge has) will create a lot of banging sufficient to pull joints apart.When I built my keystones like 2 months ago I used only 90° cuts, polyurethane glue for the two joints in the horn fold(not the bottom one) and regular glue for the rest. No screws only nails. Seem to work good. I'm not too keen overdoing or overcomplicating things(which is why I chose to try the keystone to begin with) and you can easily knock out one cab in a day if you are effective.
I tried them... loaded with 18sw115 is impressive! Very loud and very clean and the extension works well for edm, I had to cross them at 75-80 or they started to sound a bit barky tho, any suggestions how to make it deliver a bit more neutral sounding kick?
Ossian, not using the correct angles for your cuts and no screws to pull joints together while the glue expands (not a fan of polyurethane glue) may have resulted in leakage responsible for the "barky" sound. That said, with no mention of what your top cabinets and alignment procedure, no frequency response measurements, no way to tell what the problems are that you encountered.
I crossed my Keystones at 100 Hz, 24dB BW, some out of band upper peak reduction and in band EQ to flatten response, then delayed the top speakers for an even phase match, the sound (and frequency and phase measurement) was smooth through the entire "kick" region, as neutral of a sound as any sub/top transition I have heard.
Art