X32 Discussion

re: X32 Discussion

So - On the subject of the Firewire interface... Can someone please let me know if I've done the right thing -
1/ Download the firewire driver from the Behringer site
2/ Copy the driver to the Music PC hard disk & Unzip it.
3/ Run the Setup.exe file & follow the instructions
4/ After the installation is (almost) complete, it instruct you to disconnect, & reconnect then turn on the X32 and follow the instructions... so I did that.
5/ The Windows hardware detection wizard detects the X32 as it boots, and the driver seems to install fine.
6/ I look at the devices (in windows control panel -> system) and I see the X32 with no problems aparent
7/ I open the X32 Control Panel Application, and it detects the XUF but there are no inputs or outputs.


Any advice appreciated - I only got this thing for Recording and cannot seem to get it working with the computer - very frustrating. I'm sure there's a solution however I'm very keen to find it.


Thanks
Pauly

You must be on Windows 7 because these are the exact same symptoms I was experiencing at first.

Do this. That is what fixed mine.

For those who have Windows 7 and are experiencing firewire interface problems go here:
Fixing Firewire Problems in Windows 7 - David Knarr
 
re: X32 Discussion

>
I have been trying to figure out if the X32 would work for my needs.

Hello Kevin, i too do a lot of musical theatre and are looking at the x32 but i am not sure exactly how you want the scene recall to function.
Personally i use the recalls on the iLive to mute mics off stage and assign the onstage mics to dca controls so that the mics i need are always at my fingertips, labeled and in the order i need them. individual levels and Eq's are set during a soundcheck scene and do not need to be saved or recalled during any other scene until the end of the show where i do a store to save any alterations i have made during the run of the show to create a starting point for the next soundcheck.

In that sense you should not really need to update your scenes during a show unless you are also using the scenes to alter the orchestra mix.

>I started the X32 for theatrical thread in hopes of finding other people that were trying to do the same thing I am. And I get the feeling that maybe I am more unique then I think I am.

I will head over there and have a look shortly

>I usually do 4 theatrical shows a year and at the rate we are renting consoles for I was (dreaming) thinking that the X32 would work for me for those shows. I used an M7 again for the last show and I am not a fan.

I too do around 4-6 shows a year and the X32 looks great for the smaller shows, but i normally handle shows with 48 inputs so the console is a little small for my needs ATM.

>"What Kevin referred to is actually related to the Setup/Global setting "Scene Go Next", which automatically sets the selection to the next scene in line.

Perhaps an option in the system needs to be an "update, next" similar to what the iLive (which is the console i use and still have great trouble with the scene management) where you can assign a soft key to udate the current cue then sit ready to hit the go button to recall the next cue.

>I am fairly sure that this is how the iLive used to work. I think they changed it.

It still works that way, but is still a pain in the arse to actually operate a show with.

>I think it shows a different work flow mentality then someone that has theater in mind. I mean there is no way to insert a scene. And maybe the theater market is just too small for them to think about it.

Almost no digital consoles on the market have been designed with theatre users in mind. What a theatre operator wants the desk to do is simply more than the manufacturers are prepared to do for what is fundimentally a niche market. very few musical theatre operators at this level and budget are prepared to spent the time creating hundreds of scenes to allow for every cast entry and exit so they dont have to worry about finding mute buttons on the fly. Most manufacturers cater for the live market where you might have a system setup scene, followed by a soundcheck scene, followed by a scene stored for each song or band etc.

>So maybe my wording (“Yet another digital console that is designed by people that have no concept of what is needed for musical theater.”) was a bit strong but I stand by the meaning of my post.
Yes it was strong, but still in essence accurate. More likely it is not something they are willing to spend the time in to get a multi purpose console on the market. We are not talking about an amek recall or a cadac console here!

Perhaps you should look at using a dedicated show control software such as "Palladium" and it's supporting softwares, created and designed by a pro theatre designer and operator Chris Hubbard. www.chsounddesign.com. The software is designed to control multiple desks via midi, as well as firing sound effects and changing mic eq's to match performers and substitute for understudies. This is a system designed to do precisely exactly what i think you are wanting the x32 to do.

The other added benefit is that almost every major show is the same. so you can take the communal show file from the website and apply it to your situation by inputting the relevant information

I apologise if I too have misunderstood.

Regards.
 
re: X32 Discussion

Thanks Christian - That's one thing off the list :)

Pauly

Hi Pauly,
you can't imho check it by yourself, it will be automatically checked, when the sync is right I guess. Have you checked, if the Sync is set to "local" in your setup settings of your X32 and if the red led on the fiwi out of your card is on? It seems to me like a sync problem, that would explain the samplerate mismatch as well...
 
re: X32 Discussion

Hi Donald,

Thanks for the reply - Well.. I'm going to outline the things I've tried in another post as the firewire is _still_ not working. But thanks to your idea of trying the USB (which worked by the way) I actually got some sound into (and out of) cubase this evening. I _need_ the firewire to work though so Will still need to get that resoplved. Get ready for a lengthy post :)

Pauly


I'd suggest a couple things..

1). Try USB - not as a final solution, but just to validate that the XUF card is working. USB is far more tolerant of chipsets etc.

2) see about sourcing a FiWi card with a TI chipset - my MacBook Pro has one and it works like magic. My Hackintosh has one and it works great in OSX and Win7. Try to find a retailer with a generous retun policy, just in case it doesn't work.

3) if you have a friend with a Mac, see if they'd let you plug your X32 in to test. It's class compliant and requires no drivers. Just have them open the Audio/MIDI app to verify it sees the device and associated ins and outs can be seen.
 
re: X32 Discussion

Hi All - Well - I've had no luck but gee I've tried. Below is the results so far - In a nutshell I can get the USB driver to work, But the firwire - NO WAY.

COMPUTER:
Windows xp SP 3 with latest updates
4 Gig Ram
3.4G Intel CPU
Asus P4P800-E Motheboard
Integrated 1394 (firewire) (Via)
2 X 120 Gig SSD Drives (One for software, other for music)
RME 9652 PCI Adat interface/SPDIF etc – Latest Drivers
TC Powerecore Element PCI – Latest Drivers
Matrox Millennia G400 Dual Head Video card
Not usually connected to network or internet (unless upgrading)
The usual olptimisations for Audio recording (as most of our studio PCs are)


SOFTWARE
AVG Antivirus (only)
Cubase 6.XX
WAVELAB 6.0
Protools LE 9.X


Behringer X32 (recently :))
X32 USB Driver (Yesterdays download)
X32 FIREWIRE Driver (Yesterdays download)


History - Good stable system, No flaky hardware or intermittent issues.




TRIED SO FAR
1/
Installed X32 Firewire driver (only)
DS Firewire Cable
Followed instructions to install X32 Firewire Control Panel
RESULT
can 'See' X32 connected, in X32 Control Panel, but no inputs or outputs displayed


2/ Updated firewire drivers - Same result


3/ Bought another DS Firewire Cable - Same RFesult

4/ Bought a different brand Firewire Cable - Same Result


5/ Bought a Gigabyte Firewire Adapter card - Installed in PC, Disabled onboard Firewire - Same Result


6/ Bought a texas Instrument Firewire Card - Installed in PC - Same Result


7/ Uninstalled Firewire X32 Control Panel. Installed Behringer X32 USB driver - Result - WORKED! Could see all inputs and outputs and was able to record and playback from Cubase.


8/ Reinstal;led Firewire X32 Control Panel, Removed Firewire cards, Reenabled onboard firewire - Result - Same as earlier - IE Can see X32 is connected, but no inputs or outputs.


9/ Have tried various firewire drivers for windows - Most witrh same result.

Guys -
It appears my firwire ports and cables are ok (well 3 separate units can't all be bad!)
I think I have done everything I can - Is there anything someone else can suggest?
Did I mention how discouraging this is?


Thanks -
Pauly







Hi Donald,

Thanks for the reply - Well.. I'm going to outline the things I've tried in another post as the firewire is _still_ not working. But thanks to your idea of trying the USB (which worked by the way) I actually got some sound into (and out of) cubase this evening. I _need_ the firewire to work though so Will still need to get that resoplved. Get ready for a lengthy post :)

Pauly
 
re: X32 Discussion

No, sorry, I might have misled you. I am suggesting a way to control things like time/pre-delay/damping etc. from the eight faders. Undoubtedly unconventional but why not? When it happened that one time I thought it was quite neat.

Really bizarre how it only happened the one time. I can't see that being a bug, which means it must be a feature. Not that I've come across it myself. I'll have a play this weekend when we are down south for a couple of shows.

Incidentally, how does one get a gig at this 'popular UK music venue' with a 250 cap? Last time I was in Norwich, Bolton got beat and it snowed all night. I remember walking past your venue.

Kind regards, Andrew
Mama - The UKs 'all era' Genesis tribute band!
Carillon Video - Professional Wedding Videographer & Wedding Video Production Services in Bolton, Manchester & all over the UK
 
re: X32 Discussion

This is one reason my laptop is now a Mac. I only use it for a few things but remote recording is it's main gig. Reaper on the Mac was the ONLY combination that worked with Mackie Onyx FireWire card.
 
re: X32 Discussion

Hi All

I just received my X32 yesterday and started testing it... The first problem i come across is that there is a large amount of hizz/noise/sinustone on the aux in (1-6)... even though i dont have anything plugged in to any input or output at all. Only earphones. I have muted every input (1-16) and only when i mute aux in, at the 3rd layer to the left, the noise stops... when i crank up the master and the phones level it gets really loud... I dont get it...

Ive try'ed to update the firmware to 1.09, but it did not help... Do you have any suggestions?

Other than that i am very positive about the unit :)

Have a good day.

- Bo
 
re: X32 Discussion

Hi All

I just received my X32 yesterday and started testing it... The first problem i come across is that there is a large amount of hizz/noise/sinustone on the aux in (1-6)... even though i dont have anything plugged in to any input or output at all. Only earphones. I have muted every input (1-16) and only when i mute aux in, at the 3rd layer to the left, the noise stops... when i crank up the master and the phones level it gets really loud... I dont get it...

Ive try'ed to update the firmware to 1.09, but it did not help... Do you have any suggestions?

Other than that i am very positive about the unit :)

Have a good day.

- Bo

hey bo,

i got the same with mine - i also have a little sinus on phones out when everyhting is muted, even the phones volume but the main noise comes from aux 1-6. didn't get an answer though if this is a common problem. (http://soundforums.net/junior-varsity/4393-x32-discussion-95.html#post38243)

what's the production code of your X32? 1208?

cheers,
flo
 
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re: X32 Discussion

Really bizarre how it only happened the one time. I can't see that being a bug, which means it must be a feature. Not that I've come across it myself. I'll have a play this weekend when we are down south for a couple of shows.

Incidentally, how does one get a gig at this 'popular UK music venue' with a 250 cap? Last time I was in Norwich, Bolton got beat and it snowed all night. I remember walking past your venue.

Haha! I'll PM you with booking contacts.

- Provide a way to select all six bands of mix bus/master EQ from the EQ section.
At risk of talking to myself, Chase kindly pointed out this is already possible. For anyone else who didn't realise it from the laminate you can access band 2 by pressing low+low mid buttons simultaneously and band 5 by pressing hi mid and hi.
 
re: X32 Discussion

>
I have been trying to figure out if the X32 would work for my needs.

Hello Kevin, i too do a lot of musical theatre and are looking at the x32 but i am not sure exactly how you want the scene recall to function.
Personally i use the recalls on the iLive to mute mics off stage and assign the onstage mics to dca controls so that the mics i need are always at my fingertips, labeled and in the order i need them. individual levels and Eq's are set during a soundcheck scene and do not need to be saved or recalled during any other scene until the end of the show where i do a store to save any alterations i have made during the run of the show to create a starting point for the next soundcheck.

In that sense you should not really need to update your scenes during a show unless you are also using the scenes to alter the orchestra mix.

>I started the X32 for theatrical thread in hopes of finding other people that were trying to do the same thing I am. And I get the feeling that maybe I am more unique then I think I am.

I will head over there and have a look shortly

>I usually do 4 theatrical shows a year and at the rate we are renting consoles for I was (dreaming) thinking that the X32 would work for me for those shows. I used an M7 again for the last show and I am not a fan.

I too do around 4-6 shows a year and the X32 looks great for the smaller shows, but i normally handle shows with 48 inputs so the console is a little small for my needs ATM.

>"What Kevin referred to is actually related to the Setup/Global setting "Scene Go Next", which automatically sets the selection to the next scene in line.

Perhaps an option in the system needs to be an "update, next" similar to what the iLive (which is the console i use and still have great trouble with the scene management) where you can assign a soft key to udate the current cue then sit ready to hit the go button to recall the next cue.

>I am fairly sure that this is how the iLive used to work. I think they changed it.

It still works that way, but is still a pain in the arse to actually operate a show with.

>I think it shows a different work flow mentality then someone that has theater in mind. I mean there is no way to insert a scene. And maybe the theater market is just too small for them to think about it.

Almost no digital consoles on the market have been designed with theatre users in mind. What a theatre operator wants the desk to do is simply more than the manufacturers are prepared to do for what is fundimentally a niche market. very few musical theatre operators at this level and budget are prepared to spent the time creating hundreds of scenes to allow for every cast entry and exit so they dont have to worry about finding mute buttons on the fly. Most manufacturers cater for the live market where you might have a system setup scene, followed by a soundcheck scene, followed by a scene stored for each song or band etc.

>So maybe my wording (“Yet another digital console that is designed by people that have no concept of what is needed for musical theater.”) was a bit strong but I stand by the meaning of my post.
Yes it was strong, but still in essence accurate. More likely it is not something they are willing to spend the time in to get a multi purpose console on the market. We are not talking about an amek recall or a cadac console here!

Perhaps you should look at using a dedicated show control software such as "Palladium" and it's supporting softwares, created and designed by a pro theatre designer and operator Chris Hubbard. www.chsounddesign.com. The software is designed to control multiple desks via midi, as well as firing sound effects and changing mic eq's to match performers and substitute for understudies. This is a system designed to do precisely exactly what i think you are wanting the x32 to do.

The other added benefit is that almost every major show is the same. so you can take the communal show file from the website and apply it to your situation by inputting the relevant information

I apologise if I too have misunderstood.

Regards.

Warning - Very long reply.

Thank you for the reply. I will have to check out that software, do you know if it will work with an X32? I still think it might be possible to make an X32 work for musical theater.

I am probably completely wrong but it seems to me that since reasonably priced lighting consoles have been capable of doing decimal point scenes (and a lot of scenes) for a long time I would have thought it might filter over to audio. One can dream.

Since you seem to be asking what my needs are and why I want to do it a certain way I will try to explain.

I don’t recall mutes only fader movements. The only problem with that at the moment with the X32 if I understand it correctly the mutes and fader movements are linked in the recall safe configuration.

I find that the actors I am dealing with have a tendency to be different levels in different scenes. Sometimes an actor is singing lead other times they are chorus. So for one scene I need to push an actor and in another scene I need to pull them back because they are always louder in that scene. Also that way I don’t have to look at the state of the mute or in the case of Yamaha the on. I can see who is up in a scene by what faders are up. And my hands go to those faders to mix that scene.

I used to also mute and un mute the channels but I found that (very rarely but it does happen) if there is a problem with an actors mic or if an actor isn’t on stage when they are supposed to be (and usually talking back stage) I can mute the mic and try to work around the problem (until it can be fixed by the wireless wranglers) and the problem mic doesn’t sudden come back to life malfunctioning in the next scene recall.

You know for initially writing the scenes that way the X32 works (saving to the next scene not the one you are in) can be very handy. It’s just after that where it becomes awkward for me.

I said this before but I will say it again there may be a bug in how the scene recall works. Try it. Recall a scene now go back to the scene you are in and save over it. Now hit go to recall the next scene. Does it move? No it doesn’t because the gray bar is gone, you have to select the next scene and then hit go.

I don’t have the amount of rehearsal time I wish I had before a show to get the cues perfect. But they expect me to hit all of the cues perfectly when they are called. I have someone calling the cues (next to me) that wrote the cue spreadsheet for me. They have a tendency to bury their head in the script and may call the cue at the wrong time. That is where the back button comes into play. Also I have accidentally stuttered on the GO button and needed to jump back very quickly. Recalling scenes on the SC48 is fantastic I can use the snapshot select rotary knob and look at what is about to happen in the next scene so if I see that an actors mic is about to go down and I am told to go but that person is still talking I wait to hit the go. Now if the X32 is really a $20,000 console for $3,000, as Uli himself seemed to say they am I out of line comparing the SC48 to the X32?

Now there are a few things that I would like to see improved with the SC48 also. The SC48 doesn’t allow you to skip scenes like the X32 can, and you have to be on the snapshot page to be able to insert a scene. And an SC48 doesn’t do decimal point scenes either.

So depending on the cue spreadsheet accuracy that I am given that’s what governs how much I need to be making changes, as the rehearsals are under way. The directors I have been working with change the shows enough that I can’t use what might be a standard plot. We generally use 20 wireless mics. The company that I do these shows for has 18 Shure UHF-R with antenna splitter/combiner and 8 Sennheiser G2 systems with its own antenna system. I usually have 5 apron mics and 4 hanging mics to pick up un miced chorus. So if I don’t have to mic the pit band I can usually squeeze it into 32 channels. When I have a pit band that needs to be miced like this summers show I am closer to needing 48 inputs. Sometimes I have backstage mics for various things also. I also use auto mixers on the direct outs for the dialog parts but that is another discussion.

I have wanted to try using DCA assignments (of used mics per scene) but I don’t usually have the time to finesse the cues to that point. I was going to use an SC48 for the last show I did but I couldn’t get it early enough to use it. I did use one earlier this year for a musical. I wanted to do the DCA assign and use the DCA spill feature so that the only wireless that would show on the surface would be the active ones in each scene. I was reading something online about one of the Midas Pro 2 (I think) that if I am reading it right seems to have a feature that will only populate the faders with the channels that are up. That would be great once I have the show programmed into the console.

I hope this helps you to understand where I am coming from on all of this. And I hope I didn’t make too many typos.
 
re: X32 Discussion

hey bo,

i got the same with mine - i also have a little sinus on phones out when everyhting is muted, even the phones volume but the main noise comes from aux 1-6. didn't get an answer though if this is a common problem. (http://soundforums.net/junior-varsity/4393-x32-discussion-95.html#post38243)

what's the production code of your X32? 1208?

cheers,
flo

Mine as well had the noise through the headphones and then the noise on channel 16. I never got to check the aux inputs though. I ended up just calling up customer support and they happily are swapping it out free of charge with a new and fully tested unit. (My production date was 7/12)

From what they old me here in the US, there was a batch of about 500 that they have found to have these small noise issues.


Take Care,
Phil
 
re: X32 Discussion

things that IMHO need to be fixed asap:

a) the fx quality is really nice but the muting of the fx-signal when edited is a bit of a killjoy, especially with the tapping of the delay. at live shows i have several songs where i constantly need to retap the delay time. at the moment i'd have to carry my m-one or d-two with me because the onboard-delays are always cutting audio.

b) channel mutes should be blinking when muted via DCA! at the moment there's no optical warning except for the muted DCA itself.

c) the assign section should either be saveable itself (via utility) and/or be saved with the scene (+ recall safe)! <= i don't know why but when i first tested the console this wouldn't work - now retested with 1.09 and the console also loads the assign section. nevertheless it'd be nice to save/load it standalone.


things that are a bit awkward:

e) no eq or dynamics with the fx-returns. i know that you can reroute the fx via subgroups or use channels 25-32 but it'd be nice to have it in the fx-return channels itself - could this be changed or is there a lack of DSP power?


k) linking of odd/even channels


m) it'd be nice to customize name-snippets and icons (for example via Xcontrol).


I think Florian has some good observations/request. I've snipped his quote and left the ones that strike me as the most important, primarily blinking mute lights when DCA's are muted (and mute groups for that matter) and EQ on FX returns.

In addition I'm copying my feature requests that I posted on the Behringer forum as it sounds like they have some stuff to work out so in the meantime maybe it will get a little more traction here.


1. Again, I know its been mentioned but the ability to soft patch channels individually instead of blocks of 8 is really important. It's a pretty big limitation and when we get our 2 S16's its really going to bum me out when it comes time to patch in things like wireless and Room mic for recording at FOH. All of the aux inputs will be used with playback sources.


2. Assigning custom names for the assignable encoders. For example I have a matrix send set on an encoder and the matrix is labelled "Rear Speakers" and it would be really great for the option of naming the encoder that as well. As it stands now it just says MTX 1 send or something like that.


3. Assigning fader control of inputs and outputs to assignable encoders instead of just the sends. I'd love to have things like ipod playback level or any other channel at my disposal on those encoders. Also in the case of my #2, I'd prefer to have Matrix output level on the encoder instead of the individual send to Matrix. Seems to be a pretty reasonable option to have.


Mixed my first show on the X32 last night and I really enjoyed it. Looking forward to some better bands this weekend and being given a little more to work with. Thanks for the great console at a great price.
 
re: X32 Discussion

Fired up the X32 for studio use last night for the first time. It really allowed me to hear the desk in a more controlled, detailed environment. Overall I am very pleased. The quality of the FX is really quite excellent, and I have no sound quality concerns.

I had zero issues with the Firewire driver, it came right up and works great on both a Mac and on Windows 7 64bit. The Mackie Control / HUI control mode works great too, and was very easy to configure.

I have found everything about the X32 thus far to be very logical and intuitive. After about an hour of tinkering I felt quite comfortable. I am shocked at how much bang for the buck is contained in this desk. I can't buy a good 32x32 interface and a control surface for the cost of the X32, let alone get a very capable mixing console too..... "good deal" does not do this justice. Every product, regardless of price, has its quirks, but a good job has been done to be responsive to users' needs and put out something that is well thought out.

A colleague checked mine out and quickly concluded it was time to replace his (not very old) SL24. I expect these consoles are going to become the next Mackie SR series in terms of sales success - I will be very surprised if within a couple of years they are not as common as a donut shop in Canada.:D~:-D~:grin:

Uli and team, wow, I agree with SOS, you really deserve to win product of the Year IMHO. Not only game changed - but perception changed, at least for me. And the latter is probably the one that matters most to you.

I also really like your "living product" concept, and am eager to see what is yet to come.
 
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re: X32 Discussion

Hi!


I've just ordered myself a x32 and will probably get it within a month or so...


I'm wondering, since x32 is coreaudio and coremidi compliant, has anyone connected it to the iPad yet to see if it works and if it works with Auria - That would be truly awesome!


Feature request: Toggle between pre/post faders and processing in the first metering page.


While trying out a demo board in a store I found that my fingers slipped on the fader caps. I'm thinking of replacing them with some other type that suits my fingers better. Am I alone on this one?
 
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re: X32 Discussion

Hey Guys,

I thought I would share an event we are offering next week.
If all goes well we will offer this weekly at different times and in different time zones.

Best
Joe Sanborn
Manager, Channel Marketing
MUSIC Group
BEHRINGER


X32 Live!

This Monday October 8 from 1PM - 3PM Pacific Time
We will be doing our first X32 Live! Session

Join us via Go to My Meeting
This is a full audio/video system.

The first hour, we will cover Tips and Tricks as well as:
- Setting Up Your Show on the X32
- Details of the channel strip, interface, and routing in general

The second hour, is wide-open to ask us anything you want to know, or want to share.

You can ask specific questions and get "one on one" help with your X32… how cool it that!

Since this is our first "X32 Live! Event", please let me know if you can make it.

Presenters:
Joe Sanborn - BEHRINGER - Manager of Channel Marketing
John DiNicola - BEHRINGER - Senior Product Specialist

Please follow the link below
1. Please join my meeting, Oct 8, 2012 at 1:00 PM PDT.
https://www4.gotomeeting.com/join/936274831
2. Use your microphone and speakers (VoIP) - a headset is recommended. Or, call in using your telephone.

Dial +1 (636) 277-0131
Access Code: 936-274-831
Audio PIN: Shown after joining the meeting

Meeting ID: 936-274-831

GoToMeeting®
Online Meetings Made Easy™

Not at your computer? Click the link to join this meeting from your iPhone®, iPad® or Android® device via the GoToMeeting app.​

 
re: X32 Discussion

Mine as well had the noise through the headphones and then the noise on channel 16. I never got to check the aux inputs though. I ended up just calling up customer support and they happily are swapping it out free of charge with a new and fully tested unit. (My production date was 7/12)

From what they old me here in the US, there was a batch of about 500 that they have found to have these small noise issues.

thanks for the info phil. i'll test my X32 at a show next friday, after that i'll also contact customer support, although swapping the board will probably be a bit more difficult in austria. let's see what the support says about the 6k/12k/18k issue...

cheers,
flo

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