I tried to google that and mainly get hits from SOS magazine and one Peavey ribbon mic review.
What product are you referring to? While anything recent is after my time.
JR
Impulse 12D
Doesn't the Peavey ribbon SOS thing have quite a bit of built in DSP?
Yes it does. They sound good. We had a few of the early production models that a dj promptly blew while warming up before the event. Needless to say, the K12's had to be quickly dispatched to save the day for the rental. When A/B ing the QSC K12 vs the Peavey 12D, and the Peavey was louder and sounded better. It was had a smoother sound near clip. Unfortunately, the protection on the cabinet was not on par with the QSC. I'm not sure if this was fixed. We had them about 2 years ago so who knows now. We ended up returning them since they didn't pass our moron dj test.
..yawn..
I fail to see how this has redefined amplification.
Only thing now missing is the price..
When I stopped by their Infocomm booth today here's the "retail" pricing I got on the CX (install) side of this line:
CXD4.2 $1900
CXD4.3 $2500
CXD4.5 $3100
I didn't ask about the PLD prices.
Philip
I also find it interesting that the rated power output is the same at 4 ohms as 8 ohms, and then goes DOWN at 2 ohms. Definitely different than the rest!
Power that drops off at 2 ohms sounds like a current limited design. We've seen this before and perhaps characteristic of a canned chip set design. Not really a problem when understood up front for packaging systems.
JR
Time to play guru John. My bench tech level training on power amp design and theory tells me that current limited design means fewer output devices of inadequate dissipation perhaps coupled with insufficient power supply capacity. How does an off the shelf chip set, which I think of as voltage gain, front end components, impact low current output capacity? Inquiring minds ( and minimal formal training ) want to know.